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WORKS.Precedent History

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April 08, 2017, at 04:52 PM by Toyoshima Yasuko -
Changed lines 36-38 from:
-->[-(Translation: TSUKAMOTO Yasuko)-]

to:
%right% [-(Translation: TSUKAMOTO Yasuko)-]

April 08, 2017, at 04:51 PM by Toyoshima Yasuko -
Changed lines 36-38 from:
[-(Translation: TSUKAMOTO Yasuko)-]

to:
-->[-(Translation: TSUKAMOTO Yasuko)-]

April 08, 2017, at 04:50 PM by Toyoshima Yasuko -
Changed lines 30-34 from:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
to:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
Changed lines 36-38 from:
[-(Translation: TSUKAMOTO Yasuko)-] \\

to:
[-(Translation: TSUKAMOTO Yasuko)-]

April 08, 2017, at 04:38 PM by Toyoshima Yasuko -
Changed line 30 from:
 * I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
to:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
April 08, 2017, at 04:38 PM by Toyoshima Yasuko -
Changed line 30 from:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
to:
 * I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
April 08, 2017, at 04:36 PM by Toyoshima Yasuko -
Changed lines 30-32 from:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
to:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
Changed lines 34-35 from:
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
to:
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
April 08, 2017, at 04:35 PM by Toyoshima Yasuko -
April 08, 2017, at 04:34 PM by Toyoshima Yasuko -
Changed lines 31-32 from:
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
to:
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
Changed lines 34-35 from:
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
to:
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
April 08, 2017, at 04:33 PM by Toyoshima Yasuko -
Changed lines 30-35 from:
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
to:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
April 08, 2017, at 04:33 PM by Toyoshima Yasuko -
Changed lines 10-17 from:
:
: 1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
->2) 背景の地図は、かつての「大東亜共栄圏」のエリアである。
->3) 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
->4) 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
->5) この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
->6) これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
to:
* 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
April 08, 2017, at 04:31 PM by Toyoshima Yasuko -
Changed lines 10-11 from:

->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
to:
:
: 1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
April 08, 2017, at 01:49 AM by Toyoshima Yasuko -
Added lines 1-45:
(:include Main.master:)

(:if userlang ja:)

%komi%[+前例 (2015)+]


(:thickbox sensouga01.jpg 650:)


->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
->2) 背景の地図は、かつての「大東亜共栄圏」のエリアである。
->3) 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
->4) 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
->5) この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
->6) これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。

[[<<]]
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%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
(:ifend:)
(:if userlang en:)

%komi%[+Precedent (2015-)+]

(:thickbox sensouga01.jpg 650:)


1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
[-(Translation: TSUKAMOTO Yasuko)-] \\


[[<<]]
----------------------------------------------------
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
(:ifend:)
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Page last modified on April 08, 2017, at 04:52 PM