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%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\

In a completely darkened room, I install a lighting system that alternately flashes red and green in one-second intervals. I then order 201 color cards according to their attributes of hue and tone and place them in a grid on the wall, thereby creating my personal color chart. Two video cameras, each set up to record a different light condition, continuously film the wall of color cards. On the right and left sides of each card, I then paint facsimiles of that particular color, based on the phenomenon of that color perceived under the changing light conditions. The labels on the paint containers identifying the colors are covered with masking tape, turning the process into an extreme exercise of ‘painting blind’ whereby the colors are determined solely by my perception, contaminated by the enforced light conditions. At no time during my work of gazing at the color cards, mixing the paints, and painting or adjusting each facsimile will the space, cards, and paints be visible under natural light. At no time during the production of this work will I leave the room so that the continuous color comparison and correction is exclusively done with a perception steeped in the dark and the flashing red and green lights. This is an attempt to construct a color system conditioned to fail to materialize outside of the environment I have established. Likewise, it is a constructed color system that could only be materialized through my perception and visual calculation under these conditions.\\

%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\

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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

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%komi% [+色調補正-1 Color Compensation-1 (2005-)+]\\

%komi% [+Color Compensation-1 (2005-)+]

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その作業空間の外に出ないまま、『色調補正」を続ける。\\
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[+Color Compensation-1 (2005-)+]

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Color Compensation \\

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Color Compensation \\
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In a completely darkened room, I will install a lighting system that alternately flashes red and green in one-second intervals,and will bring 201 color cards into this space.\\
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In accordance with my perceptual reality under these conditions, I will use attributes of hue and tone to order the 201 color cards into grid on the wall, thereby creating my personal color chart.\\
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Two video cameras, each designed to capture one or other light condition, will continuously film the wall of color cards.\\
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I will continuously fix my gaze on the 201 color cards as they are alternately bathed , in one-second intervals, in red and green light.\\
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On the right and left sides of each color cards, I will paint a facsimile of that color, based on phenomenon of color that I perceive under these conditions.\\
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The name of pigment colors on the containers of paint will be covered with masking tape to prevent me from reading them.\\
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When mixing colors, I will continue working even though I may not know what colors I am using.\\

At no time during my work will see the color cards,paint,wall, or anything else in the space under natural light.\\
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I will attempt to construct a color system conditioned to fail to materialize outside of the environment I have established.\\
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Without leaving the space, I will continuously compare cards and make color corrections in order to determine if I have correctly reproduced colors.\\

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[+色調補正-1 Color Compensation-1 (2005-)+]\\
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室内を完全遮光する。\\
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赤と緑の光が１秒ごとに切り替わって点灯し続ける照明を設置する。\\
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201色の色カードを持ち込み、\\
この照明下で色相順／色調順を判断し、壁に貼る。\\
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二台のビデオカメラを、それぞれ異なる光の取り込み方をするように設定（色補正）し、\\
色カードを貼った壁面を撮影し続ける。\\
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赤の色光によって照らし出される201色と、\\
緑の色光によって照らし出される201色の色カードが\\
１秒ごとに交互に現れては消える状況を見つめ続ける。
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—―こうして、『私』のカラーチャートを構成するための空間の設定をする。
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『行為』\\
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色の属性である色相とトーンを、\\
この状況下における私の感覚的事実として捉え、\\
持ち込んだ201色のカードを壁面にグリッド状に貼り並べて秩序づける。\\
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各色カードの左右隣に、この色光下で視た「現象／事実」としての『色』を、\\
室内の絵の具を混色して、新たに「つくる」。\\
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色の再現に使用する絵の具の容器の色名部分は、\\
紙テープで覆って読めないように隠し、あらかじめ識別できないようにして、\\
混色時に自分が何色を使用しているのか、不確かなまま作業をすすめる。\\
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自ら設定した空間の領域外では成立しないことを前提としたカラーシステムの構成を\\
試みる。\\
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自らの設定に拘束された、
私自身の知覚に因って成立するカラーシステムの構成を試みる。\\
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私がつくった「色」が、\\
その場で「正確」に再現できているかどうか、
その作業空間の外に出ないまま、『色調補正」を続ける。-'\\

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