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WORKS /
WORKS.鉛筆 HistoryHide minor edits - Show changes to markup February 23, 2011, at 06:31 AM
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鉛筆 (1996-1999)PENCIL to:
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ Changed lines 46-47 from:
The most simplified tool for expression for me is a pencile. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification. to:
The most basic tool of expression for me is the pencil. By using a pencil to write or draw, the lead is transferred from the material with which the pencil is made and transformed into a word or a picture. Its material existence is thus extended. The same could be said of pencil shavings: the pencil has not so much been reduced as expanded in its transfigured form. In this particular piece, I changed the shape of the pencil by carving a portion of its midpoint so as to expose the lead inside. By exposing the boundary between the interior and the exterior, the essence and means of transformation for the pencil—its lead—is revealed. The lead is the material will of the pencil to communicate so as to expand. This is representative of our will for communication and expression—a means for our own self-expansion and transformation.
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ October 18, 2010, at 08:41 PM
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PENCIL (1996-1999) October 18, 2010, at 08:40 PM
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鉛筆 (1996-1999)PENCIL November 08, 2009, at 05:00 PM
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The most simplified tool for expression for me is a pencil. By using a pencil to write or draw, the lead is transferred from the object of the pencil and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencil: the pencil has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencil, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencil, was exposed. The lead is the will of the pencil to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\ to:
The most simplified tool for expression for me is a pencile. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\ April 21, 2009, at 09:29 PM
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved. Added lines 58-61:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved. February 21, 2009, at 03:30 PM
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PENCILE (1996-1999) December 23, 2008, at 09:20 PM
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Pencil "The most simplified tool for expression for me is a pencil. By using a pencil to write or draw, the lead is transferred from the object of the pencil and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencil: the pencil has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencil, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencil, was exposed. The lead is the will of the pencil to communicate so as to grow outwards. This is representative of our will for communication and self-identification"\\ to:
The most simplified tool for expression for me is a pencil. By using a pencil to write or draw, the lead is transferred from the object of the pencil and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencil: the pencil has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencil, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencil, was exposed. The lead is the will of the pencil to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\ December 23, 2008, at 09:20 PM
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鉛筆 (1996-1999)PENCILE\\ Changed lines 5-6 from:
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文字、絵画、表現における簡素な道具として鉛筆を選び、鉛筆の長さの1/2の位置を鉛筆の先端と仮定し、両方向からその仮定された先端としての中心点 に向けて削る。 Changed lines 14-15 from:
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