Yasuko Toyoshima Web Site | WORKS / 発生法2

August 14, 2014, at 01:03 AM by Toyoshima Yasuko -

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私が受け取った「断り状」各種。銀行の通帳各種。クレジットカード使用明細各種。
これらを版画作品として扱う。\\\

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私が受け取った各種の「断り状」を保存・収集している。自分の行為を「版」として、これらの印刷物を版画作品として扱う。\\\

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February 23, 2011, at 05:05 AM by Toyoshima Yasuko -

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発生法２ Origination2 (1998-)

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発生法２ (1998-)

February 23, 2011, at 05:04 AM by Toyoshima Yasuko -

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Letters, receipts, and banknotes I received made up this series.
They were written, recorded and signed by others and sent or issued to me. In the letters I was judged, described, analyzed and labelled, acquiring various codes from others.

As a kind of printing artworks, I opened this printed matter to the public. They are official printed matter that I have received so far. They are responses from a credit card company and some organizations supporting artists. They informed me regarding my applications; they wrote that I was not chosen to be an owner of a credit card (they refused to issue their credit card to me), or I was not chosen as an artist to be given a grant.

Their refusals became my printing artworks.
My action for the artworks had started since my request had been sent to others.
When I clash with others, they decode 'me' for not taking their code or values.
It means that when I offered 'me' in order to be decoded, I was encoded by them.
My conflict and their decoding happened together, synchronistically.

To conflict and to decode and encode are the same meaning.
They approach, face, meet and stay in one place.
They become 'me'.

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This series is comprised of a collection of letters, receipts, and banknotes I have received. These were written up, recorded, signed, and certified by others and sent or issued to me. These documents attest to the variety of ways I have been qualified, judged, described, analyzed, or labeled, according to the various codes and standards used by other people. These official printed matter include responses from a credit card company and art organizations or foundations. They represent notifications of responses to my applications—that I have not qualified for a credit card account or for a grant or fellowship. These rejections become my printed artworks, which I had begun from the moment I initiated the application process. When I fail to meet certain qualifications, it illustrates how my profile does not fit within their code of values at that given time. The facets contained in my profile are encoded and their rejection becomes the point of completion of the encounter. The ‘conflict’ could not take place without my initiating the approach and offering myself for decoding. The confrontation between the factors that define me and the codes that evaluated me intersect in one point. They become ‘me.’

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April 27, 2010, at 10:38 PM by Toyoshima Yasuko -

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私が受け取った「断り状」各種。銀行の通帳各種。クレジットカード使用明細各種。
これらを版画作品として扱う。\\\

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Letters, receipts, and banknotes I received made up this series.
They were written, recorded and signed by others and sent or issued to me. In the letters I was judged, described, analyzed and labelled, acquiring various codes from others.

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February 21, 2009, at 03:28 PM by Toyoshima Yasuko -

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発生法２ Origination2 (1998-)
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April 27, 2008, at 08:00 PM by Toyoshima Yasuko -

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'ー発生法２　Origination (1998-)-'

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発生法２ Origination2 (1998-)
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April 26, 2008, at 06:07 PM by Toyoshima Yasuko -

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December 02, 2006, at 07:28 AM by Toyoshima Yasuko -

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November 28, 2006, at 07:03 PM by Toyoshima Yasuko -

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WORKS.発生法2 History