Yasuko Toyoshima Web Site | WORKS / 固定／動

August 03, 2010, at 02:43 PM by Toyoshima Yasuko -

Changed lines 9-15 from:

この作品を出品する展覧会のポスターの裏側に、2009年大相撲秋場所の幕下の取組の星取表を書き込む。
このポスターの長辺をまず東西に2分割、そのなかに60人づつ、合計幕下力士数の120で分割する。
短辺は本場所の合計日数の15で分割する。
白星の中に決まり手を書き込み、その白星の下には取組内容を『私が捉えた範疇で』記す。
白星の印が押された升目の下には、切れ込みが入れてあり、そこに白星と取組内容の書かれた細い紙が挿入されている。
この白星をつまんで引き上げると、その取組内容が読める。
搬入日が近づき、15日分すべてを記し終わらずにこの制作は終わる。秋場所中日までの取組内容で止まっている。\\

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どのような手段で作品を空間に固定させるのか。
「作品」を空間に固定させる仕組みをつくる。
「作品」と「空間」を結びつける「部品」をつくる。
「表現」することは、作者の思考を他者に向けて「再現」することである。
その表現したい内容は物事の設定状態としてある種の「固定」が必要である。
この作品は表現物が「場所」に置かれる場合の＿位置の選択、
空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。
\\

April 30, 2010, at 01:57 PM by Toyoshima Yasuko -

Changed lines 9-16 from:

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この作品を出品する展覧会のポスターの裏側に、2009年大相撲秋場所の幕下の取組の星取表を書き込む。
このポスターの長辺をまず東西に2分割、そのなかに60人づつ、合計幕下力士数の120で分割する。
短辺は本場所の合計日数の15で分割する。
白星の中に決まり手を書き込み、その白星の下には取組内容を『私が捉えた範疇で』記す。
白星の印が押された升目の下には、切れ込みが入れてあり、そこに白星と取組内容の書かれた細い紙が挿入されている。
この白星をつまんで引き上げると、その取組内容が読める。
搬入日が近づき、15日分すべてを記し終わらずにこの制作は終わる。秋場所中日までの取組内容で止まっている。
\\

April 17, 2010, at 10:40 PM by Toyoshima Yasuko -

November 13, 2009, at 10:47 AM by Toyoshima Yasuko -

Changed lines 26-27 from:

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http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg

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http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg
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November 08, 2009, at 03:33 PM by Toyoshima Yasuko -

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\\

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November 08, 2009, at 03:33 PM by Toyoshima Yasuko -

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↓2009 September Grand Sumo Tournament-Makushita Division bouts result

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↓2009 September Grand Sumo Tournament
　　　 Makushita Division bouts result\\

November 08, 2009, at 03:32 PM by Toyoshima Yasuko -

Changed lines 45-46 from:

' （2009 September Grand Sumo Tournament-Makushita Division bouts result)

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↓2009 September Grand Sumo Tournament-Makushita Division bouts result

November 08, 2009, at 03:31 PM by Toyoshima Yasuko -

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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena.
The meaning (the concept) needs to be replayed again and again for people (audience). \\

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I have been recording a score of Grand SUMO Tournament of MAKUSHITA division.
The symbols that win and lose are marked as white circles and black circles.
Also, I have been recording their motions, bouts process, and marking the winning technique.
The results, and process of the motions are fixed through my viewpoints, in my format.
The bouts, the motions would represent again and again in the fixed realm.\\

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In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\

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' （2009 September Grand Sumo Tournament-Makushita Division bouts result)

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The 'expression' that I would like to categorize in this context, is 'disobey'. \\

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As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\

to:

Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena.
The meaning (the concept) needs to be replayed again and again for people (audience). \\

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In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc.
I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing. \\

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In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\

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I found that the BODY of the 'expression' has to have holes physically or analogically in it. The 'expression' itself should contain or become a tool of putting or connecting the space.
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.\\

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The 'expression' that I would like to categorize in this context, is 'disobey'. \\

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（2009 September Grand Sumo Tournament-Makushita Division bouts result)

to:

As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\

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to:

In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc.
I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing.

I found that the BODY of the 'expression' has to have holes physically or analogically in it. The 'expression' itself should contain or become a tool of putting or connecting the space.
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.

November 06, 2009, at 10:18 PM by Toyoshima Yasuko -

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固定/動ー星取表ー (2009-)

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固定/動ー星取表ー (2009-)

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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena.
The meaning (the concept) needs to be replayed again and again for people (audience). \\

Deleted lines 40-43:

'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena.
The meaning (the concept) needs to be replayed again and again for people (audience).
\\

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November 02, 2009, at 10:27 PM by Toyoshima Yasuko -

November 02, 2009, at 10:18 PM by Toyoshima Yasuko -

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（2009年大相撲秋場所-幕下の取組）

to:

（2009年大相撲秋場所-幕下の取組星取表）

November 02, 2009, at 10:18 PM by Toyoshima Yasuko -

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空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。

to:

空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

November 02, 2009, at 10:18 PM by Toyoshima Yasuko -

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空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

to:

空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。 \\

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\\

November 02, 2009, at 10:17 PM by Toyoshima Yasuko -

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固定/動 (2009-)

to:

固定/動ー星取表ー (2009-)

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（2009年大相撲秋場所-幕下の取組）

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（2009 September Grand Sumo Tournament-Makushita Division bouts result)

November 02, 2009, at 10:11 PM by Toyoshima Yasuko -

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WORKS.固定／動 History