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WORKS /
WORKS.ジグソーパズル HistoryHide minor edits - Show changes to output February 02, 2017, at 11:56 PM
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%center%無断転載を禁止します。[[<<]] to:
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December 15, 2016, at 01:10 AM
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本来完成させるべき絵柄ではなく、横一列に繋げていく。\\ あらかじめ使用する壁面の領域を決めてから貼っていく、\\ その領域内のつながりによって曲がるがままに任せて繋げていく。\\ ジグソ−パズルはあらかじめ完成させるべき全体をもって、おのおののピースに分解されている。 すべて偶然の選択のみでピースを接続する。\\ to:
本来完成させるべき絵柄ではなく、恣意的でなく、偶然手に取ったピース順に横一列に繋げていく。\\ あらかじめ使用する壁面の領域を限定してから貼る。\\ その領域内の壁や天井のつながりに沿って繋げていく。\\ February 23, 2011, at 07:26 AM
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Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize. to:
Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.\\ February 23, 2011, at 07:25 AM
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%komi%[+ジグゾーパズル+](1994) \\ to:
%komi%[+ジグゾーパズル(1994)+] \\ Changed line 36 from:
%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ Changed line 66 from:
%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ February 23, 2011, at 07:25 AM
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%komi%[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\ \\\ 素材:ジグソ−パズル(既成品\\ to:
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すべて偶然の選択のみでピースを接続する。 \\\ to:
すべて偶然の選択のみでピースを接続する。\\ すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\ Added lines 24-26:
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すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\ \\\ (:thickbox jig2.jpg 500:)\\ \\\ Changed line 29 from:
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%center%無断転載を禁止します。[[<<]] ----------------------------------------------------------------------------------------------- Added lines 50-51:
Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize. Changed line 53 from:
I make a LINE not a picture.\\ to:
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I randomly connected the piece of jigsaw-puzzle, which directly contradicts the 'order'\\ in which it was meant to be recreated. I the freedom of this moment, recreation becomes creation, and latent forms that are inherent in the possibilities of the pieces come forward.\\ to:
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%center%無断転載を禁止します。 [[<<]] ----------------------------------------------------------------------------------------------- Deleted lines 73-76:
(:ifend:) July 03, 2009, at 10:07 PM
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----------------------------------------------------------------------------------------------- %center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ %center%無断転載を禁止します。\\ Changed lines 67-72 from:
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[[<<]] ----------------------------------------------------------------------------------------------- %center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ %center%無断転載を禁止します。\\ July 03, 2009, at 10:07 PM
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----------------------------------------------------------------------------------------------- %center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ %center%無断転載を禁止します。\\ to:
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[[<<]] ----------------------------------------------------------------------------------------------- %center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ %center%無断転載を禁止します。\\ to:
July 03, 2009, at 10:06 PM
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[[<<]] ----------------------------------------------------------------------------------------------- %center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ %center%無断転載を禁止します。\\ Changed lines 69-71 from:
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[[<<]] ----------------------------------------------------------------------------------------------- %center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ %center%無断転載を禁止します。\\ February 21, 2009, at 03:39 PM
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(:ifend:) (:if auth edit:) (:ifend:) February 20, 2009, at 11:52 PM
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%komi%'+Jigsaw Puzzle (1994-)+'\\ \\ I make a LINE not a picture.\\ \\ I randomly connected the piece of jigsaw-puzzle, which directly contradicts the 'order'\\ in which it was meant to be recreated. I the freedom of this moment, recreation becomes creation, and latent forms that are inherent in the possibilities of the pieces come forward.\\ \\ \\ (:thickbox jig1.jpg 500:)\\ \\ \\\ (:thickbox jig2.jpg 500:)\\ \\\ (:thickbox jig3.jpg 500:)\\ \\\ (:thickbox jig4.jpg 500:)\\ \\\ Changed lines 63-65 from:
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(:ifend:) (:if auth edit:) (:ifend:) February 20, 2009, at 11:50 PM
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[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\ to:
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January 07, 2009, at 09:30 AM
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December 15, 2008, at 10:44 PM
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\\ '+ジグソーパズル Jigsaw Puzzle (1994-)+'\\ \\ \\ (:thickbox jig1.jpg 500:)\\ \\ \\ すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\ to:
[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\ Changed lines 4-5 from:
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素材:ジグソ−パズル(既成品) 行為:ジグソ−パズル2000ピ−スをすべてつなげて線をつくる。\\ Changed lines 7-11 from:
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本来完成させるべき絵柄ではなく、横一列に繋げていく。\\ あらかじめ使用する壁面の領域を決めてから貼っていく、\\ その領域内のつながりによって曲がるがままに任せて繋げていく。\\ ジグソ−パズルはあらかじめ完成させるべき全体をもって、おのおののピースに分解されている。 すべて偶然の選択のみでピースを接続する。 Changed lines 13-17 from:
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\\ (:thickbox jig1.jpg 500:)\\ \\ \\ すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\ Added line 19:
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(:thickbox jig4.jpg 500:)\\ April 27, 2008, at 08:19 PM
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'-ジグソーパズル Jigsaw Puzzle (1994-)-'\\ to:
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'-パズルを完成させる。\\ to:
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