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WORKS.ジグソーパズル History

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February 02, 2017, at 11:56 PM by Toyoshima Yasuko -
Changed line 36 from:
%center%無断転載を禁止します。[[<<]]
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%center%無断転載を禁止します。 [[<<]]
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December 15, 2016, at 01:10 AM by Toyoshima Yasuko -
Changed lines 14-18 from:
本来完成させるべき絵柄ではなく、横一列に繋げていく。\\
あらかじめ使用する壁面の領域を決めてから貼っていく、\\
その領域内のつながりによって曲がるがままに任せて繋げていく。\\
ジグソ−パズルはあらかじめ完成させるべき全体をもって、おのおののピースに分解されている。
すべて偶然の選択のみでピースを接続する。\\
to:
本来完成させるべき絵柄ではなく、恣意的でなく、偶然手に取ったピース順に横一列に繋げていく。\\
あらかじめ使用する壁面の領域を限定してから貼る。\\
その領域内の壁や天井のつながりに沿って繋げていく。\\
February 23, 2011, at 07:26 AM by Toyoshima Yasuko -
Changed line 51 from:
Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.
to:
Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.\\
February 23, 2011, at 07:25 AM by Toyoshima Yasuko -
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%komi%[+ジグゾーパズル+](1994) \\



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%komi%[+ジグゾーパズル(1994)+] \\



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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
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%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\
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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
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%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\
February 23, 2011, at 07:25 AM by Toyoshima Yasuko -
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%komi%[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\



\\\
素材:ジグソ−パズル(既成品\\
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%komi%[+ジグゾーパズル+](1994) \\




素材:ジグソ−パズル(既成品)\\
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すべて偶然の選択のみでピースを接続する。
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to:
すべて偶然の選択のみでピースを接続する。\\
すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\
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(:thickbox jig2.jpg 500:)\\
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すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\
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%center%無断転載を禁止します。\\


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%center%無断転載を禁止します。[[<<]]
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Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.
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I make a LINE not a picture.\\
to:
(:thickbox jig1.jpg 500:)\\
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I randomly connected the piece of jigsaw-puzzle, which directly contradicts the 'order'\\
in which it was meant to be recreated. I the freedom of this moment, recreation becomes creation, and latent forms that are inherent in the possibilities of the pieces come forward.\\
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(:thickbox jig2.jpg 500:)\\
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%center%無断転載を禁止します。\\
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%center%無断転載を禁止します。 [[<<]]
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Deleted lines 73-76:



(:ifend:)
July 03, 2009, at 10:07 PM by Toyoshima Yasuko -
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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\


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[[<<]]

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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
July 03, 2009, at 10:07 PM by Toyoshima Yasuko -
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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

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[[<<]]
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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

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July 03, 2009, at 10:06 PM by Toyoshima Yasuko -
July 03, 2009, at 10:06 PM by Toyoshima Yasuko -
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[[<<]]
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%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
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[[<<]]
-----------------------------------------------------------------------------------------------
%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

February 21, 2009, at 03:39 PM by Toyoshima Yasuko -
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(:if userlang ja:)(:include Main.master:)

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(:include Main.master:)
(:if userlang ja:)


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(:if auth edit:)

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(:ifend:)

(:if auth edit:)




(:ifend:)
February 20, 2009, at 11:52 PM by Toyoshima Yasuko -
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%komi%'+Jigsaw Puzzle (1994-)+'\\


\\
I make a LINE not a picture.\\
\\
I randomly connected the piece of jigsaw-puzzle, which directly contradicts the 'order'\\
in which it was meant to be recreated. I the freedom of this moment, recreation becomes creation, and latent forms that are inherent in the possibilities of the pieces come forward.\\
\\

\\
(:thickbox jig1.jpg 500:)\\
\\

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(:thickbox jig2.jpg 500:)\\
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(:thickbox jig3.jpg 500:)\\
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(:thickbox jig4.jpg 500:)\\
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(:ifend:)

(:if auth edit:)




(:ifend:)
February 20, 2009, at 11:50 PM by Toyoshima Yasuko -
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[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\
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(:if userlang ja:)(:include Main.master:)


%komi%[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\


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素材:ジグソ−パズル(既成品)
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素材:ジグソ−パズル(既成品\\
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(:if userlang ja:)
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January 07, 2009, at 09:30 AM by Toyoshima Yasuko -
Deleted line 0:
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(:attachlist:)

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December 15, 2008, at 10:44 PM by Toyoshima Yasuko -
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\\
'+ジグソーパズル Jigsaw Puzzle (1994-)+'\\
\\
\\
(:thickbox jig1.jpg 500:)\\
\\
\\
すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\
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[+ジグゾーパズル+](1994)JIGSAW PUZZLE \\
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素材:ジグソ−パズル(既成品)
行為:ジグソ−パズル2000ピ−スをすべてつなげて線をつくる。\\
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(:thickbox jig3.jpg 500:)\\
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本来完成させるべき絵柄ではなく、横一列に繋げていく。\\
あらかじめ使用する壁面の領域を決めてから貼っていく、\\
その領域内のつながりによって曲がるがままに任せて繋げていく。\\
ジグソ−パズルはあらかじめ完成させるべき全体をもって、おのおののピースに分解されている。
すべて偶然の選択のみでピースを接続する。
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(:thickbox jig4.jpg 500:)\\
to:
\\
(:thickbox jig1.jpg 500:)\\
\\
\\
すべてのピースを繋げて、完成すべき面ではなく、線をつくる。\\
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(:thickbox jig2.jpg 500:)\\
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(:thickbox jig3.jpg 500:)\\
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April 27, 2008, at 08:20 PM by Toyoshima Yasuko -
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(:thickbox jig1.jpg 500:)\\
April 27, 2008, at 08:19 PM by Toyoshima Yasuko -
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April 27, 2008, at 08:19 PM by Toyoshima Yasuko -
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'-ジグソーパズル Jigsaw Puzzle (1994-)-'\\
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'+ジグソーパズル Jigsaw Puzzle (1994-)+'\\
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'-パズルを完成させる。\\
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April 26, 2008, at 06:21 PM by Toyoshima Yasuko -
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(
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(:if userlang ja:)

(:if userlang en:)

(:ifend:)
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Page last modified on February 02, 2017, at 11:56 PM