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WORKS.ジグソーパズル History

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February 02, 2017, at 11:56 PM by Toyoshima Yasuko -
Changed line 36 from:

無断転載を禁止します。

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Changed line 66 from:

無断転載を禁止します。

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December 15, 2016, at 01:10 AM by Toyoshima Yasuko -
Changed lines 14-18 from:

本来完成させるべき絵柄ではなく、横一列に繋げていく。
あらかじめ使用する壁面の領域を決めてから貼っていく、
その領域内のつながりによって曲がるがままに任せて繋げていく。
ジグソ−パズルはあらかじめ完成させるべき全体をもって、おのおののピースに分解されている。 すべて偶然の選択のみでピースを接続する。\\

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本来完成させるべき絵柄ではなく、恣意的でなく、偶然手に取ったピース順に横一列に繋げていく。
あらかじめ使用する壁面の領域を限定してから貼る。
その領域内の壁や天井のつながりに沿って繋げていく。

February 23, 2011, at 07:26 AM by Toyoshima Yasuko -
Changed line 51 from:

Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.

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Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.\\

February 23, 2011, at 07:25 AM by Toyoshima Yasuko -
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ジグゾーパズル(1994)

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ジグゾーパズル(1994)

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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\

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Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\

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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\

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Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\

February 23, 2011, at 07:25 AM by Toyoshima Yasuko -
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ジグゾーパズル(1994)JIGSAW PUZZLE



素材:ジグソ−パズル(既成品\\

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ジグゾーパズル(1994)

素材:ジグソ−パズル(既成品)\\

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\\\

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\\

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すべて偶然の選択のみでピースを接続する。 \\\

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すべて偶然の選択のみでピースを接続する。
すべてのピースを繋げて、完成すべき面ではなく、線をつくる。

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\\\

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\\

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\\\

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\\

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無断転載を禁止します。

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無断転載を禁止します。


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Using thousands of pieces of a jigsaw puzzle, I connect them randomly in a line rather than a picture. Attaching one piece to the next to form a line defies the order that the pieces are meant to be reconstructed. The resistance to create a picture allows for freedom to create a completely different visual experience. The predetermined image becomes completely splintered or ‘atomized’ rather than integrated. Pieces meant to lock together in a grid to form a solid rectangular panel become extensible as a line. The curvatures on the line formed are dictated by how the curves and tabs I force to fit together meander as well as by the parameters of the gallery in which they are installed. By changing the ‘logic’ in forming the puzzle, recreation becomes a different kind of creation, allowing latent forms inherent in the possibilities of the pieces to materialize.

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I make a LINE not a picture.\\

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I randomly connected the piece of jigsaw-puzzle, which directly contradicts the 'order'
in which it was meant to be recreated. I the freedom of this moment, recreation becomes creation, and latent forms that are inherent in the possibilities of the pieces come forward.\\

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無断転載を禁止します。

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無断転載を禁止します。


Deleted lines 73-76:
July 03, 2009, at 10:07 PM by Toyoshima Yasuko -
Added lines 35-40:

Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

Changed lines 67-72 from:
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

July 03, 2009, at 10:07 PM by Toyoshima Yasuko -
Changed lines 34-38 from:

Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

to:
July 03, 2009, at 10:06 PM by Toyoshima Yasuko -
July 03, 2009, at 10:06 PM by Toyoshima Yasuko -
Changed lines 33-34 from:
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

Changed lines 69-71 from:
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

February 21, 2009, at 03:39 PM by Toyoshima Yasuko -
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February 20, 2009, at 11:52 PM by Toyoshima Yasuko -
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February 20, 2009, at 11:50 PM by Toyoshima Yasuko -
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ジグゾーパズル(1994)JIGSAW PUZZLE \\

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素材:ジグソ−パズル(既成品)

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素材:ジグソ−パズル(既成品\\

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January 07, 2009, at 09:30 AM by Toyoshima Yasuko -
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December 15, 2008, at 10:44 PM by Toyoshima Yasuko -
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ジグゾーパズル(1994)JIGSAW PUZZLE \\

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素材:ジグソ−パズル(既成品) 行為:ジグソ−パズル2000ピ−スをすべてつなげて線をつくる。\\

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本来完成させるべき絵柄ではなく、横一列に繋げていく。
あらかじめ使用する壁面の領域を決めてから貼っていく、
その領域内のつながりによって曲がるがままに任せて繋げていく。
ジグソ−パズルはあらかじめ完成させるべき全体をもって、おのおののピースに分解されている。 すべて偶然の選択のみでピースを接続する。

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April 27, 2008, at 08:20 PM by Toyoshima Yasuko -
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April 27, 2008, at 08:19 PM by Toyoshima Yasuko -
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April 27, 2008, at 08:19 PM by Toyoshima Yasuko -
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ジグソーパズル Jigsaw Puzzle (1994-)

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ジグソーパズル Jigsaw Puzzle (1994-)

\\

Changed lines 6-7 from:

'-パズルを完成させる。\\

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\\

April 26, 2008, at 06:21 PM by Toyoshima Yasuko -
Changed lines 16-21 from:

(

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Page last modified on February 02, 2017, at 11:56 PM