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Fix /
Fix.Division 履歴2016 年 08 月 21 日,01:16 AM
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- 10 行を追加しました:
http://toyoshima.sakura.ne.jp/website_test/image/fix_division_04.jpg 40 行を追加しました:
http://toyoshima.sakura.ne.jp/website_test/image/fix_division_04.jpg 2014 年 10 月 22 日,06:53 PM
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- 9 更新しました。前版:
展覧会の終了後、搬出時にくす玉を割った。私と撮影者以外は誰もその瞬間をみていない。\\ 後版:
展覧会の終了後、搬出時にくす玉を割った。私と撮影者以外はその瞬間を知らない。\\ 59 更新しました。前版:
\\ 後版:
\\ 2014 年 10 月 21 日,11:30 PM
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- 9-11 更新しました。前版:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. 後版:
展覧会の終了後、搬出時にくす玉を割った。私と撮影者以外は誰もその瞬間をみていない。 28-30 更新しました。前版:
無断転載を禁止します。\\ 後版:
無断転載を禁止します。 \\ 38-39 更新しました。前版:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. 後版:
A kusudama is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string, which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn, released only after the event was over. \\ 57-59 更新しました。前版:
無断転載を禁止します。\\ 後版:
無断転載を禁止します。 \\ 2011 年 02 月 22 日,11:29 PM
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- 25 更新しました。前版:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ 後版:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ 53 更新しました。前版:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ 後版:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ 2011 年 02 月 01 日,06:11 AM
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- 9-18 更新しました。前版:
どのような手段で作品を空間に固定させるのか。 後版:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. 34-38 更新しました。前版:
I made a 'KUSUDAMA' which is a big decorated paper ball (for festive occasions). 後版:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. 36-42 行を消しました。
Normally, this ball is opened by pulling a string which hangs inside the ball. 45-46 更新しました。前版:
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Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ 50-66 更新しました。前版:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. 後版:
54 行を消しました。
2010 年 10 月 07 日,11:40 AM
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- 27 行を追加しました:
46-47 更新しました。前版:
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60-64 更新しました。前版:
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62-67 行を追加しました:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. 2009 年 11 月 08 日,03:52 PM
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- 40-57 行を追加しました:
58-61 行を消しました。
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. 72-80 更新しました。前版:
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2009 年 11 月 06 日,10:20 PM
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- 1-2 行を追加しました:
8-9 更新しました。前版:
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2009 年 11 月 02 日,09:58 PM
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- 35-37 更新しました。前版:
Fix (2009-) 後版:
Fix/Division (2009-) 2009 年 11 月 02 日,09:57 PM
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- 20-21 行を消しました。
23-24 行を追加しました:
61-64 更新しました。前版:
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2009 年 11 月 02 日,09:43 PM
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- 1-69 行を追加しました:
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