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Fix.Division HistoryHide minor edits - Show changes to markup August 21, 2016, at 01:16 AM
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http://toyoshima.sakura.ne.jp/website_test/image/fix_division_04.jpg Added line 40:
http://toyoshima.sakura.ne.jp/website_test/image/fix_division_04.jpg October 22, 2014, at 06:53 PM
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展覧会の終了後、搬出時にくす玉を割った。私と撮影者以外は誰もその瞬間をみていない。\\ to:
展覧会の終了後、搬出時にくす玉を割った。私と撮影者以外はその瞬間を知らない。\\ Changed line 59 from:
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\\ October 21, 2014, at 11:30 PM
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A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. to:
展覧会の終了後、搬出時にくす玉を割った。私と撮影者以外は誰もその瞬間をみていない。 Changed lines 28-30 from:
無断転載を禁止します。\\ to:
無断転載を禁止します。 \\ Changed lines 38-39 from:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. to:
A kusudama is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string, which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn, released only after the event was over. \\ Changed lines 57-59 from:
無断転載を禁止します。\\ to:
無断転載を禁止します。 \\ February 22, 2011, at 11:29 PM
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ Changed line 53 from:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ February 01, 2011, at 06:11 AM
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どのような手段で作品を空間に固定させるのか。 to:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. Changed lines 34-38 from:
I made a 'KUSUDAMA' which is a big decorated paper ball (for festive occasions). to:
A “kusudama” is a large decorated paper ball used to mark festive occasions such as opening ceremonies. People pull a string which releases confetti and a banner from within the ball. I created this kusudama for an exhibition and installed it in a space with a very high ceiling. Having kept it intact throughout the exhibition run, I did not pull the string until after the exhibition closed. Left hanging from the ceiling during the show, it was like an unexploded shell whose reason or purpose was like a stillborn. Deleted lines 36-42:
Normally, this ball is opened by pulling a string which hangs inside the ball. Changed lines 45-46 from:
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Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ Changed lines 50-66 from:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. to:
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October 07, 2010, at 11:40 AM
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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. November 08, 2009, at 03:52 PM
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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. Changed lines 72-80 from:
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November 06, 2009, at 10:20 PM
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November 02, 2009, at 09:58 PM
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Fix (2009-) to:
Fix/Division (2009-) November 02, 2009, at 09:57 PM
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November 02, 2009, at 09:43 PM
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