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WORKS.Fix/Motion History

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February 01, 2011, at 08:01 AM by Toyoshima Yasuko -
Changed lines 10-11 from:
(2009年大相撲秋場所-幕下の取組星取表)
to:

Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\
Changed lines 13-16 from:
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Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’

\\
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to:
(2009年大相撲秋場所-幕下の取組星取表)
Changed lines 35-39 from:
I have been recording a score of Grand SUMO Tournament of MAKUSHITA division.\\
The symbols that win and lose are marked as white circles and black circles.\\
Also, I have been recording their motions, bouts process, and marking the winning technique.\\
The results, and process of the motions are fixed through my viewpoints, in my format.\\
The bouts, the motions would represent again and again in the fixed realm.\\
to:
Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\
Changed lines 37-39 from:
to:
Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ \\
\\
Changed lines 49-66 from:
Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
\\
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\
\\
The 'expression' that I would like to categorize in this context, is 'disobey'. \\
\\
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\
\\
In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc. \\

I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing. \\
\\
I found that the BODY of the 'expression' has to have holes physically or analogically in it.
The 'expression' itself should contain or become a tool of putting or connecting the space. \\
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.\\
\\
to:
Deleted line 54:
August 03, 2010, at 04:26 PM by Toyoshima Yasuko -
Changed lines 5-9 from:
%komi%[+固定/動ー星取表ー (2009-)+]



to:
%komi%[+2009年大相撲秋場所-幕下の取組星取表 (2009-)+]



August 03, 2010, at 02:44 PM by Toyoshima Yasuko -
Changed lines 9-15 from:
この作品を出品する展覧会のポスターの裏側に、2009年大相撲秋場所の幕下の取組の星取表を書き込む。\\
このポスターの長辺をまず東西に2分割、そのなかに60人づつ、合計幕下力士数の120で分割する。\\
短辺は本場所の合計日数の15で分割する。\\
白星の中に決まり手を書き込み、その白星の下には取組内容を『私が捉えた範疇で』記す。\\
白星の印が押された升目の下には、切れ込みが入れてあり、そこに白星と取組内容の書かれた細い紙が挿入されている。\\
この白星をつまんで引き上げると、その取組内容が読める。\\
搬入日が近づき、15日分すべてを記し終わらずにこの制作は終わる。秋場所中日までの取組内容で止まっている。\\
to:

(2009年大相撲秋場所-幕下の取組星取表)
Changed lines 12-22 from:
どのような手段で作品を空間に固定させるのか。\\
「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\
「表現」することは、作者の思考を他者に向けて「再現」することである。\\
その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\
この作品は表現物が「場所」に置かれる場合の_位置の選択、\\
空間との結びつき方_固定方法/設置方法の複数回答を出すための道具である。\\
\\
(2009年大相撲秋場所-幕下の取組星取表)
\\
to:
April 26, 2010, at 03:56 PM by Toyoshima Yasuko -
Changed line 15 from:
搬入日が近づき、15日分すべてを記し終わらずにこの作品は終わる。秋場所中日までの取組内容で止まっている。\\
to:
搬入日が近づき、15日分すべてを記し終わらずにこの制作は終わる。秋場所中日までの取組内容で止まっている。\\
April 26, 2010, at 03:55 PM by Toyoshima Yasuko -
Changed lines 9-16 from:
to:
この作品を出品する展覧会のポスターの裏側に、2009年大相撲秋場所の幕下の取組の星取表を書き込む。\\
このポスターの長辺をまず東西に2分割、そのなかに60人づつ、合計幕下力士数の120で分割する。\\
短辺は本場所の合計日数の15で分割する。\\
白星の中に決まり手を書き込み、その白星の下には取組内容を『私が捉えた範疇で』記す。\\
白星の印が押された升目の下には、切れ込みが入れてあり、そこに白星と取組内容の書かれた細い紙が挿入されている。\\
この白星をつまんで引き上げると、その取組内容が読める。\\
搬入日が近づき、15日分すべてを記し終わらずにこの作品は終わる。秋場所中日までの取組内容で止まっている。\\
\\
November 13, 2009, at 10:46 AM by Toyoshima Yasuko -
Changed lines 26-27 from:
[[http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg]]
to:
[[http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg]]\\
Changed lines 53-54 from:
[[http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg]]
to:
[[http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg]]\\
\\
November 13, 2009, at 10:46 AM by Toyoshima Yasuko -
Changed lines 26-27 from:
to:
[[http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg]]
Changed line 53 from:
to:
[[http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg]]
November 08, 2009, at 03:35 PM by Toyoshima Yasuko -
Changed lines 38-39 from:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
to:
I have been recording a score of Grand SUMO Tournament of MAKUSHITA division.\\
The symbols that win and lose are marked as white circles and black circles.\\
Also, I have been recording their motions, bouts process, and marking the winning technique.\\
The results, and process of the motions are fixed through my viewpoints, in my format.\\
The bouts, the motions would represent again and again in the fixed realm.\\
Changed lines 44-50 from:
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\
to:

↓2009 September Grand Sumo Tournament\\
    Makushita Division bouts result\\

(:thickbox fm1.jpg 300:)\\

(:thickbox fm2.jpg 300:)\\
Changed lines 52-54 from:
The 'expression' that I would like to categorize in this context, is 'disobey'. \\
to:

Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
Changed line 56 from:
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\
to:
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\
Added lines 58-61:
The 'expression' that I would like to categorize in this context, is 'disobey'. \\
\\
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\
\\
Changed lines 70-76 from:
(2009 September Grand Sumo Tournament-Makushita Division bouts result)
\\
(:thickbox fm1.jpg 300:)\\

(:thickbox fm2.jpg 300:)\\

to:
Added line 76:
November 06, 2009, at 10:13 PM by Toyoshima Yasuko -
Added lines 1-2:
(:include Main.master:)
Deleted line 4:
November 06, 2009, at 10:12 PM by Toyoshima Yasuko -
Changed lines 4-6 from:
%komi%[+固定/動ー星取表ー (2009-)+]\\

to:
%komi%[+固定/動ー星取表ー (2009-)+]



November 06, 2009, at 10:12 PM by Toyoshima Yasuko -
Added line 3:
November 06, 2009, at 10:12 PM by Toyoshima Yasuko -
Deleted lines 5-6:
\\
Added lines 34-35:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
Deleted lines 36-39:

'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
\\
November 02, 2009, at 10:27 PM by Toyoshima Yasuko -
Added lines 1-66:
(:if userlang ja:)

%komi%[+固定/動ー星取表ー (2009-)+]\\


\\

どのような手段で作品を空間に固定させるのか。\\
「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\
「表現」することは、作者の思考を他者に向けて「再現」することである。\\
その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\
この作品は表現物が「場所」に置かれる場合の_位置の選択、\\
空間との結びつき方_固定方法/設置方法の複数回答を出すための道具である。\\
\\
(2009年大相撲秋場所-幕下の取組星取表)
\\

(:thickbox fm1.jpg 300:)\\

(:thickbox fm2.jpg 300:)\\

\\

[[<<]]
----------------------------------------------------
%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)

(:if userlang en:)

%komi%[+Fix/Motion (2009-)+]\\


\\

'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
\\
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\
\\
The 'expression' that I would like to categorize in this context, is 'disobey'. \\
\\
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\
\\
In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc. \\

I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing. \\
\\
I found that the BODY of the 'expression' has to have holes physically or analogically in it.
The 'expression' itself should contain or become a tool of putting or connecting the space. \\
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.\\
\\
(2009 September Grand Sumo Tournament-Makushita Division bouts result)
\\
(:thickbox fm1.jpg 300:)\\

(:thickbox fm2.jpg 300:)\\


[[<<]]
----------------------------------------------------
%center%Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
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Page last modified on February 01, 2011, at 08:01 AM