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WORKS /
WORKS.ColorCompensation−3 履歴2017 年 02 月 02 日,11:41 PM
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- 15 行を追加しました:
46 行を追加しました:
2011 年 02 月 23 日,02:04 AM
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- 43 更新しました。前版:
Using permanent markers, I draw lines in various colors on the surface of the top and side panels of a clear acrylic case set on a pedestal. The standardized neutral transparency case typically designates the containment of an artwork or artifact within a museum setting and conditions our viewing habit of peering into each case. In this particular work, my intervention subverts the purpose of the case as “a thing itself that is not an object to view” but as a plane through which to gaze at something else contained within. Here, what is contained is 201 color cards whose colors are altered when viewed through the random colors applied on the case. Viewing the color cards through my color drawings becomes an exercise of “mixing colors” by perception alone. The case functions like a “color compensation filter.” The light that passes through the case is no longer neutral, since the lines I had drawn transformed the clear case into multi-color gels. It is a manner of alluding to the fact that we cannot view the world with the assumption of pure nature. Human intervention and demarcation is visible everywhere. Whatever we see with our naked eye has to pass through the filter—the chaos or order—of the artifice we have created and constructed. 後版:
Using permanent markers, I draw lines in various colors on the surface of the top and side panels of a clear acrylic case set on a pedestal. The standardized neutral transparency case typically designates the containment of an artwork or artifact within a museum setting and conditions our viewing habit of peering into each case. In this particular work, my intervention subverts the purpose of the case as “a thing itself that is not an object to view” but as a plane through which to gaze at something else contained within. Here, what is contained is 201 color cards whose colors are altered when viewed through the random colors applied on the case. Viewing the color cards through my color drawings becomes an exercise of “mixing colors” by perception alone. The case functions like a “color compensation filter.” The light that passes through the case is no longer neutral, since the lines I had drawn transformed the clear case into multi-color gels. It is a manner of alluding to the fact that we cannot view the world with the assumption of pure nature. Human intervention and demarcation is visible everywhere. Whatever we see with our naked eye has to pass through the filter—the chaos or order—of the artifice we have created and constructed. \\ 2011 年 02 月 23 日,02:03 AM
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- 32 更新しました。前版:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ 後版:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ 43-44 更新しました。前版:
I randomly draw various lines with colored permanent markers on a clear acrylic surface. 後版:
Using permanent markers, I draw lines in various colors on the surface of the top and side panels of a clear acrylic case set on a pedestal. The standardized neutral transparency case typically designates the containment of an artwork or artifact within a museum setting and conditions our viewing habit of peering into each case. In this particular work, my intervention subverts the purpose of the case as “a thing itself that is not an object to view” but as a plane through which to gaze at something else contained within. Here, what is contained is 201 color cards whose colors are altered when viewed through the random colors applied on the case. Viewing the color cards through my color drawings becomes an exercise of “mixing colors” by perception alone. The case functions like a “color compensation filter.” The light that passes through the case is no longer neutral, since the lines I had drawn transformed the clear case into multi-color gels. It is a manner of alluding to the fact that we cannot view the world with the assumption of pure nature. Human intervention and demarcation is visible everywhere. Whatever we see with our naked eye has to pass through the filter—the chaos or order—of the artifice we have created and constructed. 44-60 行を消しました。
My intervention disturbs an empty transparent area that promised 'Nothing is there, just protecting artworks, such as a clear filter. This in itself is not an object for gazing at'. The colors are divided in my drawing. 62 更新しました。前版:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ 後版:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ 2010 年 05 月 01 日,06:43 PM
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- 6-9 更新しました。前版:
色調補正−3 Color Compensation−3 (2006-) 後版:
色調補正−3 (2006-) 15-16 行を追加しました:
31-32 更新しました。前版:
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35 行を消しました。
39-42 更新しました。前版:
Color Compensation−3rd (2006-) 後版:
Color Compensation−3 (2006-) I randomly draw various lines with colored permanent markers on a clear acrylic surface. 46-56 行を追加しました:
My intervention disturbs an empty transparent area that promised 'Nothing is there, just protecting artworks, such as a clear filter. This in itself is not an object for gazing at'. 63-64 更新しました。前版:
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77-79 行を消しました。
79-80 更新しました。前版:
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83-85 行を追加しました:
2010 年 04 月 26 日,11:27 AM
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- 9-10 更新しました。前版:
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2009 年 07 月 03 日,10:15 PM
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- 28-29 更新しました。前版:
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved. 67-72 更新しました。前版:
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved. 2009 年 02 月 19 日,06:59 PM
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- 1-2 行を追加しました:
4-8 更新しました。前版:
色調補正−3 Color Compensation−3 (2006-)\\ 後版:
色調補正−3 Color Compensation−3 (2006-) 31-32 更新しました。前版:
Color Compensation−3rd (2006-) 後版:
Color Compensation−3rd (2006-) 2009 年 02 月 17 日,05:04 PM
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- 2 更新しました。前版:
色調補正−3 Color Compensation−3 (2006-)\\ 後版:
色調補正−3 Color Compensation−3 (2006-)\\ 2009 年 02 月 16 日,10:49 PM
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- 28-31 更新しました。前版:
The colors are divided by my drawing. 後版:
The colors are divided in my drawing. 34 行を追加しました:
2009 年 02 月 14 日,12:54 AM
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- 0 行を消しました。
29-31 更新しました。前版:
In the box, the light is not neutral since it is Intervened by my drawing. 後版:
In the box, the light is not neutral since it is intervened by my drawing. 2009 年 02 月 14 日,12:53 AM
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- 1-3 更新しました。前版:
色調補正−3 Color Compensation−3 (2006-)\\ 後版:
24-30 行を消しました。
26-27 更新しました。前版:
色調補正−3 Color Compensation−3 (2006-) 後版:
Color Compensation−3rd (2006-) 2009 年 02 月 14 日,12:52 AM
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- 31-53 更新しました。前版:
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2008 年 12 月 23 日,09:25 PM
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- 37-38 更新しました。前版:
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2008 年 04 月 27 日,07:43 PM
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- 21-30 更新しました。前版:
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2008 年 04 月 27 日,06:41 PM
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- 21-23 更新しました。前版:
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2008 年 04 月 27 日,05:56 PM
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- 1-41 行を追加しました:
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