Yasuko Toyoshima Web Site | WORKS / 09年大相撲秋場所-幕下取組星取表

2017 年 02 月 01 日，07:59 PM より Toyoshima Yasuko -

10 更新しました。前版：

制作するためには相撲をみなければならないという充実しているのか追い込んでいるのかよくわからない境地を求めた。

後版：

2017 年 01 月 30 日，06:12 PM より Toyoshima Yasuko -

9-10 更新しました。前版：

この頃は相撲ばかり観ているいる日々で、相撲をみながら美術作品をつくることができる唯一筋が通った方法だと思った。
制作するためには相撲をみなければならないという充実しているのか追い込んでいるのかよくわからない境地を求めました。

後版：

この頃は相撲ばかり観ていた日々で、相撲をみながら美術作品をつくることができる唯一筋が通った方法だと思った。
制作するためには相撲をみなければならないという充実しているのか追い込んでいるのかよくわからない境地を求めた。

2016 年 10 月 13 日，10:18 PM より Toyoshima Yasuko -

8 更新しました。前版：

展覧会ポスターの裏面使用した星取表である。\\

後版：

展覧会ポスターの裏面使用した星取表である。使用したこのポスターの展覧会にこの作品は出品された。\\

2016 年 10 月 13 日，10:10 PM より Toyoshima Yasuko -

9-10 更新しました。前版：

この頃は相撲ばかり観ているいる日々でした。相撲をみながら美術作品をつくることができる唯一思いついた方法でありました。\\

後版：

この頃は相撲ばかり観ているいる日々で、相撲をみながら美術作品をつくることができる唯一筋が通った方法だと思った。\\

2016 年 10 月 13 日，10:09 PM より Toyoshima Yasuko -

9-10 更新しました。前版：

相撲ばかり観ているいる日々で相撲をみながら美術作品をつくることができる唯一思いついた方法でありました。\\

後版：

この頃は相撲ばかり観ているいる日々でした。相撲をみながら美術作品をつくることができる唯一思いついた方法でありました。\\

2016 年 10 月 13 日，10:09 PM より Toyoshima Yasuko -

6-7　行を追加しました：

2016 年 10 月 13 日，10:08 PM より Toyoshima Yasuko -

6-8 更新しました。前版：

後版：

展覧会ポスターの裏面使用した星取表である。
相撲ばかり観ているいる日々で相撲をみながら美術作品をつくることができる唯一思いついた方法でありました。
制作するためには相撲をみなければならないという充実しているのか追い込んでいるのかよくわからない境地を求めました。

11-13　行を追加しました：

2014 年 10 月 21 日，11:04 PM より Toyoshima Yasuko -

11-17 更新しました。前版：

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42-47 更新しました。前版：

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2014 年 10 月 21 日，10:59 PM より Toyoshima Yasuko -

15-17 更新しました。前版：

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46-47 更新しました。前版：

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2014 年 10 月 21 日，10:59 PM より Toyoshima Yasuko -

8-10 行を消しました。

Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\

10-11 更新しました。前版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’

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20-25 行を消しました。

42-48 更新しました。前版：

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54 更新しました。前版：

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2011 年 02 月 24 日，07:32 AM より Toyoshima Yasuko -

22-23 更新しました。前版：

http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg

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25 更新しました。前版：

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27-28　行を追加しました：

48 更新しました。前版：

http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg\\

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55-56　行を追加しました：

2011 年 02 月 01 日，05:56 AM より Toyoshima Yasuko -

13-15 更新しました。前版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’\\ \\ \\ （2009年大相撲秋場所-幕下の取組星取表）

後版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’

20 更新しました。前版：

後版：

（2009年大相撲秋場所-幕下の取組星取表）

2011 年 02 月 01 日，05:56 AM より Toyoshima Yasuko -

14-15　行を追加しました：

\\ \\ （2009年大相撲秋場所-幕下の取組星取表）

17-19 更新しました。前版：

（2009年大相撲秋場所-幕下の取組星取表）

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2011 年 02 月 01 日，05:55 AM より Toyoshima Yasuko -

13 更新しました。前版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ \\

後版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’\\

2011 年 02 月 01 日，05:55 AM より Toyoshima Yasuko -

13 更新しました。前版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’

後版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ \\

2011 年 02 月 01 日，05:54 AM より Toyoshima Yasuko -

13-14 更新しました。前版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ \\

後版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ \\

2011 年 02 月 01 日，05:53 AM より Toyoshima Yasuko -

10-11 更新しました。前版：

（2009年大相撲秋場所-幕下の取組星取表）

後版：

Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\

13-16 更新しました。前版：

後版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’
（2009年大相撲秋場所-幕下の取組星取表）

35-39 更新しました。前版：

I have been recording a score of Grand SUMO Tournament of MAKUSHITA division.
The symbols that win and lose are marked as white circles and black circles.
Also, I have been recording their motions, bouts process, and marking the winning technique.
The results, and process of the motions are fixed through my viewpoints, in my format.
The bouts, the motions would represent again and again in the fixed realm.\\

後版：

Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\

37-39 更新しました。前版：

後版：

Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’

49-66 更新しました。前版：

Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena.
The meaning (the concept) needs to be replayed again and again for people (audience).

In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time.

The 'expression' that I would like to categorize in this context, is 'disobey'.

As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings.

In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc.
I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing.

I found that the BODY of the 'expression' has to have holes physically or analogically in it. The 'expression' itself should contain or become a tool of putting or connecting the space.
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.

後版：

2010 年 08 月 03 日，04:28 PM より Toyoshima Yasuko -

1-69　行を追加しました：

WORKS.09年大相撲秋場所-幕下取組星取表 履歴

WORKS.09年大相撲秋場所-幕下取組星取表履歴