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%komi%[+鉛筆+] (1996-1999)

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%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

%komi%[+PENCIL+] (1996-1999)



The most basic tool of expression for me is the pencil. By using a pencil to write or draw, the lead is transferred from the material with which the pencil is made and transformed into a word or a picture. Its material existence is thus extended. The same could be said of pencil shavings: the pencil has not so much been reduced as expanded in its transfigured form. In this particular piece, I changed the shape of the pencil by carving a portion of its midpoint so as to expose the lead inside. By exposing the boundary between the interior and the exterior, the essence and means of transformation for the pencil—its lead—is revealed. The lead is the material will of the pencil to communicate so as to expand. This is representative of our will for communication and expression—a means for our own self-expansion and transformation.

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%center%Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\

The most simplified tool for expression for me is a Pencile. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\

pencile

The most simplified tool for expression for me is a. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\

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%komi%[+鉛筆+] (1996-1999)PENCILE\\

素材：鉛筆\\
行為：鉛筆の中央付近から両端に向かって削る。\\

文字、絵画、表現における簡素な道具として鉛筆を選び、鉛筆の長さの1/2の位置を鉛筆の先端と仮定し、両方向からその仮定された先端としての中心点 に向けて削る。\\
通常削られた二本の鉛筆が向かい合うような形を一本の鉛筆のみで表す。\\

行為の結果何が起るか：\\
鉛筆の芯の減少によって外在化する文字や描線、つまりそれら「表現」と鉛筆自体で外在も内在も分割されずに繋がっている発生以前の「全体」を示す。\\

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%komi%[+PENCILE+] (1996-1999)\\

The most simplified tool for expression for me is a pencil. By using a pencil to write or draw, the lead is transferred from the object of the pencil and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencil: the pencil has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencil, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencil, was exposed. The lead is the will of the pencil to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\
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%komi%'+鉛筆　Pencile (1996-1999)+'\\

%komi%'+Pencile (1996-1999)+'\\

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'+Pencile (1996-1999)+'\\
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Pencil "The most simplified tool for expression for me is a pencil. By using a pencil to write or draw, the lead is transferred from the object of the pencil and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencil: the pencil has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencil, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencil, was exposed. The lead is the will of the pencil to communicate so as to grow outwards. This is representative of our will for communication and self-identification"
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