Recent Changes - Search:



WORKS.Pencile History

Show minor edits - Show changes to markup

February 23, 2011, at 06:34 AM by Toyoshima Yasuko -
Changed line 1 from:
to:
Changed lines 5-8 from:

鉛筆 (1996-1999)PENCILE

\\\

to:

鉛筆 (1996-1999)

Added lines 18-19:
Deleted lines 20-22:
Changed lines 29-31 from:
ifend
)
to:



Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。

Changed lines 41-44 from:

PENCILE (1996-1999)

to:
Deleted lines 50-54:
Added lines 59-63:



Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.
無断転載を禁止します。\\

August 09, 2009, at 12:12 AM by Toyoshima Yasuko -
Changed line 42 from:

The most simplified tool for expression for me is a. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\

to:

The most simplified tool for expression for me is a Pencile. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\

July 23, 2009, at 11:20 PM by Toyoshima Yasuko -
Changed line 35 from:

pencile

to:
July 23, 2009, at 11:20 PM by Toyoshima Yasuko -
Changed line 35 from:
to:

pencile

Changed line 42 from:

The most simplified tool for expression for me is a pencil. By using a pencil to write or draw, the lead is transferred from the object of the pencil and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencil: the pencil has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencil, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencil, was exposed. The lead is the will of the pencil to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\

to:

The most simplified tool for expression for me is a. By using a pencile to write or draw, the lead is transferred from the object of the pencile and transformed into a word or picture. Its existence is thus extended. The same could be said of the shavings of a pencile: the pencile has not reduced itself so much as it has transformed itself and grown outward. In this piece I changed the shape of a pencile, but did not decrease its size, by carving a portion of its centre so as to expose the lead inside. I exposed the boundary between the interior and exterior; the lead, the essence and means of transformation for the pencile, was exposed. The lead is the will of the pencile to communicate so as to grow outwards. This is representative of our will for communication and self-identification.\\

February 21, 2009, at 03:31 PM by Toyoshima Yasuko -
Changed line 1 from:
to:
Changed lines 3-10 from:
to:

鉛筆 (1996-1999)PENCILE

Changed lines 9-10 from:
to:

素材:鉛筆
行為:鉛筆の中央付近から両端に向かって削る。\\

Changed lines 12-16 from:
to:

文字、絵画、表現における簡素な道具として鉛筆を選び、鉛筆の長さの1/2の位置を鉛筆の先端と仮定し、両方向からその仮定された先端としての中心点 に向けて削る。
通常削られた二本の鉛筆が向かい合うような形を一本の鉛筆のみで表す。
行為の結果何が起るか:
鉛筆の芯の減少によって外在化する文字や描線、つまりそれら「表現」と鉛筆自体で外在も内在も分割されずに繋がっている発生以前の「全体」を示す。\\

Changed lines 18-19 from:
to:
Changed line 21 from:
to:
Changed lines 23-24 from:
to:
Changed lines 36-43 from:
to:

PENCILE (1996-1999)

Added lines 41-45:
Changed line 54 from:
to:
Changed lines 57-59 from:
to:
Deleted line 59:
February 20, 2009, at 11:26 PM by Toyoshima Yasuko -
Added line 1:
Changed lines 3-4 from:


鉛筆 Pencile (1996-1999)\\

to:

鉛筆 Pencile (1996-1999)

Changed lines 24-29 from:

Pencile (1996-1999)\\

to:

Pencile (1996-1999)

February 14, 2009, at 01:00 AM by Toyoshima Yasuko -
Changed lines 38-41 from:
to:
December 14, 2008, at 05:00 PM by Toyoshima Yasuko -
Added line 1:
Changed line 16 from:
to:
Added lines 19-20:

Pencile (1996-1999)
\\\\

December 14, 2008, at 04:59 PM by Toyoshima Yasuko -
Changed lines 18-30 from:
to:
April 27, 2008, at 08:10 PM by Toyoshima Yasuko -
Added lines 1-28:
Edit - History - Print - Recent Changes - Search
Page last modified on February 23, 2011, at 06:34 AM