Yasuko Toyoshima Web Site | WORKS / Hook

February 23, 2011, at 04:13 AM by Toyoshima Yasuko -

Changed line 14 from:

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Changed lines 39-40 from:

'Everything, including my intentional approach will become a part of nature.'\\

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I attached fastenings on a curtain hanging in an exhibition room by sewing hooks on various heights across the curtain. Connecting the edges onto the hooks created new shapes and formations to the natural folds. My intervention is the art. The original folds of the curtain did not initially have my own ‘fine art’ value until my deliberate arrangement. The preexistent condition of the folds of the curtain obeyed the physical laws of gravity. My placement of the hooks is a means of subjecting my intervention to the same physical structure. Everything, including my intentional approach that interrupts the way a curtain is suspended or falls—an artificial interception, becomes part of nature.\\

Deleted lines 40-41:

I attached / sewed fastenings (=hooks) on the curtain which is hanging in an exhibition room. It means: I inserted another type of background (origin) to the folds. Another type means the folds appeared due to my artificial intention; the purpose was to be my 'art'. The 'default' folds didn't have my own 'fine-art' meanings as you know, as if they had an aesthetic value like furniture, as opposed to my intention when I arranged them, since they were there before my life, in advance of my existence. However, finally, including my artificial additional folds, which were made with the hooks I attached on the surface, everything involving the curtain obeyed gravity, the physical structure/phenomenon. My intentional approach was to be synchronized, mixed, and be included in the physical structure/phenomenon. Everything, including my intention, would become a part of nature.
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April 17, 2010, at 10:49 PM by Toyoshima Yasuko -

Deleted line 8:

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Changed line 11 from:

重力による布の皺と私が留め金を掛けたことによってできた皺が繋がる。\\

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重力とカーテンフックの間隔による布の皺と私が留め金を掛けたことによってできた皺が繋がる。\\

April 06, 2010, at 08:20 AM by Toyoshima Yasuko -

Changed lines 19-23 from:

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Changed lines 50-59 from:

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April 06, 2010, at 08:19 AM by Toyoshima Yasuko -

Added lines 34-35:

'Everything, including my intentional approach will become a part of nature.'\\

Added lines 37-38:

I attached / sewed fastenings (=hooks) on the curtain which is hanging in an exhibition room. It means: I inserted another type of background (origin) to the folds. Another type means the folds appeared due to my artificial intention; the purpose was to be my 'art'. The 'default' folds didn't have my own 'fine-art' meanings as you know, as if they had an aesthetic value like furniture, as opposed to my intention when I arranged them, since they were there before my life, in advance of my existence. However, finally, including my artificial additional folds, which were made with the hooks I attached on the surface, everything involving the curtain obeyed gravity, the physical structure/phenomenon. My intentional approach was to be synchronized, mixed, and be included in the physical structure/phenomenon. Everything, including my intention, would become a part of nature.
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November 06, 2009, at 10:40 PM by Toyoshima Yasuko -

Changed line 13 from:

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February 21, 2009, at 08:21 PM by Toyoshima Yasuko -

Changed line 10 from:

\\布に留め金をつける。\\

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布に留め金をつける。\\

February 20, 2009, at 11:05 PM by Toyoshima Yasuko -

Added lines 10-13:

\\布に留め金をつける。
ランダムに留め金を掛けて行く。
重力による布の皺と私が留め金を掛けたことによってできた皺が繋がる。
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Changed lines 18-20 from:

布に留め金をつける。
ランダムに留め金を掛けて行く。
重力による布の皺と私が留め金を掛けたことによってできた皺が繋がる。

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Changed lines 39-42 from:

布に留め金をつける。
ランダムに留め金を掛けて行く。
重力による布の皺と私が留め金を掛けたことによってできた皺が繋がる。 \\\

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February 20, 2009, at 11:04 PM by Toyoshima Yasuko -

Changed lines 6-8 from:

留め金　Hook (2004-)

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留め金　Hook (2001-)

Changed lines 29-31 from:

Hook (2004-)

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Hook (2001-)

February 20, 2009, at 11:03 PM by Toyoshima Yasuko -

Changed lines 1-8 from:

留め金　Hook (2004-)\\

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Added lines 26-40:

December 23, 2008, at 09:34 PM by Toyoshima Yasuko -

Changed lines 14-15 from:

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April 27, 2008, at 07:56 PM by Toyoshima Yasuko -

Added lines 1-22:

WORKS.Hook History