Yasuko Toyoshima Web Site | WORKS / Fix

February 22, 2011, at 09:54 PM by Toyoshima Yasuko -

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February 01, 2011, at 08:29 AM by Toyoshima Yasuko -

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どのような手段で作品を空間に固定させるのか。\\
「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\
「表現」することは、作者の思考を他者に向けて「再現」することである。\\
その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\
この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\
空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\
\\

to:

February 01, 2011, at 06:55 AM by Toyoshima Yasuko -

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Notions of permanence or fixity are illusory. Making and installing works of art require making choices—the ways of positioning or affixing elements or materializing a concept in place, within a designated space. Fix is a series in which I take some models that refer to spaces and how materials relate to these spaces. \\
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For Fix/Numbers, I marked wooden cards in a sequence of numbers 0-9 then strung them up through drilled holes. They are loosely tied. While the cards are in sequential order, the variabilities of their order become dependent on how they ‘fall into place’ or how they are hung. This illustrates the permutational instability within stable systems or the potential of a single fixed order to generate a realm of multiple fixities.\\
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Everything cannot avoid staying in a place-the SPACE where we are conceptually and physically.\\
Fundamentally, making works of art is to decide of the ways of positioning and fixing something or a concept in a place-the SPACE.\\

Searching for an ideal way of positioning and fixing, I take some models to refer to spaces and materials.\\ I installed the models into a space for exhibitions, as a series of works titled 'FIX'\\

to:

Notions of permanence or fixity are illusory. Making and installing works of art require making choices—the ways of positioning or affixing elements or materializing a concept in place, within a designated space. Fix is a series in which I take some models that refer to spaces and how materials relate to these spaces. \\

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'Fix' (numerous):\\
I made wooden number cards, drilled them to make holes for threading, wrote down numbers on them (from 0 to 9). The thread is threaded through the holes of wooden number cards and fastened up loosely. They were threaded according to the order of the numbers.
Because of being fastened (or tied up) loosely, in case I put it on the table or wall, the positioning of the cards is not stable. We lost the order of the numbers but the instability was fixed by the fastening. I made a multiple realm of fixations.

to:

For Fix/Numbers, I marked wooden cards in a sequence of numbers 0-9 then strung them up through drilled holes. They are loosely tied. While the cards are in sequential order, the variabilities of their order become dependent on how they ‘fall into place’ or how they are hung. This illustrates the permutational instability within stable systems or the potential of a single fixed order to generate a realm of multiple fixities.\\
\\

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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
\\
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\
\\
The 'expression' that I would like to categorize in this context, is 'disobey'. \\
\\
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\
\\
In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc. \\

I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing. \\
\\
I found that the BODY of the 'expression' has to have holes physically or analogically in it.
The 'expression' itself should contain or become a tool of putting or connecting the space. \\
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.\\
\\

April 17, 2010, at 10:37 PM by Toyoshima Yasuko -

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November 08, 2009, at 04:45 PM by Toyoshima Yasuko -

November 08, 2009, at 04:44 PM by Toyoshima Yasuko -

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Everything cannot avoid staying in a place-the SPACE where we are conceptually and physically.\\
Fundamentally, making works of art is to decide of the ways of positioning and fixing something or a concept in a place-the SPACE.\\

Searching for an ideal way of positioning and fixing, I take some models to refer to spaces and materials.\\ I installed the models into a space for exhibitions, as a series of works titled 'FIX'\\

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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\

to:

'Fix' (numerous):\\
I made wooden number cards, drilled them to make holes for threading, wrote down numbers on them (from 0 to 9). The thread is threaded through the holes of wooden number cards and fastened up loosely. They were threaded according to the order of the numbers.
Because of being fastened (or tied up) loosely, in case I put it on the table or wall, the positioning of the cards is not stable. We lost the order of the numbers but the instability was fixed by the fastening. I made a multiple realm of fixations.

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'Fix'(name):\\
I made wooden cards on which my name was written and divided them by letters, by character, and drilled them to making holes for threading. Because of being fastened (or tied up) loosely, in case I put it on the table or wall, the positioning of the cards is not stable. We lost the order of the cards and we could not recognize that my name was written on them. But the instability was fixed by the fastening. I made a multiple realm of fixations.
(:thickbox fix_name.jpg 200:)\\

'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\
\\

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November 06, 2009, at 10:14 PM by Toyoshima Yasuko -

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(:include Main.master:)

November 01, 2009, at 05:30 PM by Toyoshima Yasuko -

November 01, 2009, at 05:29 PM by Toyoshima Yasuko -

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November 01, 2009, at 05:27 PM by Toyoshima Yasuko -

November 01, 2009, at 05:20 PM by Toyoshima Yasuko -

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In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time .... \\

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In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\

November 01, 2009, at 05:20 PM by Toyoshima Yasuko -

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The 'anger', which occupies my mind. I have to tell you that the 'anger' is the seed of creativity and 'expression'. It brings me the power of thinking. The 'anger' wakes up my obscure mind. \\
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November 01, 2009, at 05:08 PM by Toyoshima Yasuko -

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November 01, 2009, at 05:07 PM by Toyoshima Yasuko -

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The 'anger', which occupies my mind. I have to tell you that the 'anger' is the seed of creativity and 'expression'. It brings me the power of thinking. The 'anger' wakes up my obscure mind. \\

\\
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. \\
The meaning (the concept) needs to be replayed again and again for people (audience). \\

\\
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time .... \\
\\
The 'expression' that I would like to categorize in this context, is 'disobey'. \\
\\
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\
\\
In short, the expression has to be FIXED on the real world; it should stay with us. This context's of FIX contains also fixing on the any media, not only real space, but also digital media, etc. \\

I have been thinking about the way of FIX, the system of fixing fundamentally. What I made was a series of style for fundamental construction for Fixing. \\
\\
I found that the BODY of the 'expression' has to have holes physically or analogically in it.
The 'expression' itself should contain or become a tool of putting or connecting the space. \\
The holes are used as a function to tie up other parts. But tied up, the 'expression' becomes a part of the space, part of the background of the 'expression'.\\

October 21, 2009, at 04:00 PM by Toyoshima Yasuko -

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October 21, 2009, at 12:05 AM by Toyoshima Yasuko -

August 14, 2009, at 12:27 AM by Toyoshima Yasuko -

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「表現」することは、作者の思考を他者に向けて「再現」することである。\\

to:

「表現」することは、作者の思考を他者に向けて「再現」することである。\\

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August 14, 2009, at 12:26 AM by Toyoshima Yasuko -

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%center%どのような手段で作品を空間に固定させるのか。\\

%center%「作品」を空間に固定させる仕組みをつくる。\\

%center%「作品」と「空間」を結びつける「部品」をつくる。\\

%center%「表現」することは、作者の思考を他者に向けて「再現」することである。\\

%center%その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

%center%この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\

%center%空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

to:

どのような手段で作品を空間に固定させるのか。\\

「作品」を空間に固定させる仕組みをつくる。\\

「作品」と「空間」を結びつける「部品」をつくる。\\

「表現」することは、作者の思考を他者に向けて「再現」することである。\\

その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\

空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

August 14, 2009, at 12:25 AM by Toyoshima Yasuko -

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%center%どのような手段で作品を空間に固定させるのか。\\

%center%「作品」を空間に固定させる仕組みをつくる。\\

%center%「作品」と「空間」を結びつける「部品」をつくる。\\

to:

%center%どのような手段で作品を空間に固定させるのか。\\

%center%「作品」を空間に固定させる仕組みをつくる。\\

%center%「作品」と「空間」を結びつける「部品」をつくる。\\

%center%「表現」することは、作者の思考を他者に向けて「再現」することである。\\

%center%その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

%center%この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\

%center%空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

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%center%「表現」することは、作者の思考を他者に向けて「再現」することである。\\

%center%その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

%center%この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\

%center%空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\
\\

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August 14, 2009, at 12:24 AM by Toyoshima Yasuko -

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どのような手段で作品を空間に固定させるのか。\\

「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\

to:

%center%どのような手段で作品を空間に固定させるのか。\\

%center%「作品」を空間に固定させる仕組みをつくる。\\

%center%「作品」と「空間」を結びつける「部品」をつくる。\\

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「表現」することは、作者の思考を他者に向けて「再現」することである。\\
その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\
空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

to:

%center%「表現」することは、作者の思考を他者に向けて「再現」することである。\\

%center%その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

%center%この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\

%center%空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\

August 14, 2009, at 12:23 AM by Toyoshima Yasuko -

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August 14, 2009, at 12:22 AM by Toyoshima Yasuko -

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June 27, 2009, at 11:04 PM by Toyoshima Yasuko -

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June 27, 2009, at 10:59 PM by Toyoshima Yasuko -

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June 27, 2009, at 10:57 PM by Toyoshima Yasuko -

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June 08, 2009, at 05:13 PM by Toyoshima Yasuko -

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「表現」することは、作者の思考を他者に向けて「再現」することである。\\
その表現したい内容は物事の設定状態としてある種の「固定」が必要である。\\

この作品は表現物が「場所」に置かれる場合の＿位置の選択、\\
空間との結びつき方＿固定方法／設置方法の複数回答を出すための道具である。\\
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June 08, 2009, at 05:12 PM by Toyoshima Yasuko -

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March 27, 2009, at 03:35 PM by Toyoshima Yasuko -

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March 27, 2009, at 11:10 AM by Toyoshima Yasuko -

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どのような手段で作品を空間に固定させるのか。\\

「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\

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どのような手段で作品を空間に固定させるのか。\\

「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\

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March 27, 2009, at 11:09 AM by Toyoshima Yasuko -

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March 27, 2009, at 11:09 AM by Toyoshima Yasuko -

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March 24, 2009, at 04:37 PM by Toyoshima Yasuko -

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どのような手段で作品を空間に固定させるのか。\\

「作品」を空間に固定させる仕組みをつくる。\\
「作品」と「空間」を結びつける「部品」をつくる。\\
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(:thickbox web_1_toyo_mgallery.jpg 300:)\\
(:thickbox web_2_toyo_mgallery.jpg 300:)\\
(:thickbox web_3_toyo_mgallery.jpg 300:)\\
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(:thickbox 2009secchiho.jpg 300:)\\

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(:quicktime Attach:2009toyosecchiho.mov width=340 scale=aspect controller=true autoplay=false:)

WORKS.Fix History