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WORKS /
WORKS.Fix HistoryShow minor edits - Show changes to markup February 22, 2011, at 09:54 PM
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Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ Changed line 62 from:
Copyright © 2009 TOYOSHIMA Yasuko. All rights reserved.\\ to:
Copyright © 2011 TOYOSHIMA Yasuko. All rights reserved.\\ February 01, 2011, at 08:29 AM
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どのような手段で作品を空間に固定させるのか。 to:
February 01, 2011, at 06:55 AM
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Notions of permanence or fixity are illusory. Making and installing works of art require making choices—the ways of positioning or affixing elements or materializing a concept in place, within a designated space. Fix is a series in which I take some models that refer to spaces and how materials relate to these spaces. Changed lines 45-48 from:
Everything cannot avoid staying in a place-the SPACE where we are conceptually and physically. to:
Notions of permanence or fixity are illusory. Making and installing works of art require making choices—the ways of positioning or affixing elements or materializing a concept in place, within a designated space. Fix is a series in which I take some models that refer to spaces and how materials relate to these spaces. \\ Changed lines 47-50 from:
'Fix' (numerous): Because of being fastened (or tied up) loosely, in case I put it on the table or wall, the positioning of the cards is not stable. We lost the order of the numbers but the instability was fixed by the fastening. I made a multiple realm of fixations. to:
For Fix/Numbers, I marked wooden cards in a sequence of numbers 0-9 then strung them up through drilled holes. They are loosely tied. While the cards are in sequential order, the variabilities of their order become dependent on how they ‘fall into place’ or how they are hung. This illustrates the permutational instability within stable systems or the potential of a single fixed order to generate a realm of multiple fixities. Deleted lines 66-86:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. April 17, 2010, at 10:37 PM
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November 08, 2009, at 04:45 PM
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Everything cannot avoid staying in a place-the SPACE where we are conceptually and physically. Changed lines 47-49 from:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. to:
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November 06, 2009, at 10:14 PM
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November 01, 2009, at 05:30 PM
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Fix (2009-) November 01, 2009, at 05:27 PM
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In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time .... \\ to:
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\ November 01, 2009, at 05:20 PM
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The 'anger', which occupies my mind. I have to tell you that the 'anger' is the seed of creativity and 'expression'. It brings me the power of thinking. The 'anger' wakes up my obscure mind. to:
November 01, 2009, at 05:08 PM
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\\ November 01, 2009, at 05:07 PM
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The 'anger', which occupies my mind. I have to tell you that the 'anger' is the seed of creativity and 'expression'. It brings me the power of thinking. The 'anger' wakes up my obscure mind. October 21, 2009, at 04:00 PM
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October 21, 2009, at 12:05 AM
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「表現」することは、作者の思考を他者に向けて「再現」することである。 to:
「表現」することは、作者の思考を他者に向けて「再現」することである。\\ Deleted line 11:
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August 14, 2009, at 12:26 AM
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どのような手段で作品を空間に固定させるのか。 to:
どのような手段で作品を空間に固定させるのか。 「表現」することは、作者の思考を他者に向けて「再現」することである。 その表現したい内容は物事の設定状態としてある種の「固定」が必要である。 August 14, 2009, at 12:25 AM
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どのような手段で作品を空間に固定させるのか。 to:
どのような手段で作品を空間に固定させるのか。 Changed lines 21-29 from:
「表現」することは、作者の思考を他者に向けて「再現」することである。 to:
August 14, 2009, at 12:24 AM
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どのような手段で作品を空間に固定させるのか。 to:
どのような手段で作品を空間に固定させるのか。 Changed lines 13-17 from:
「表現」することは、作者の思考を他者に向けて「再現」することである。 to:
「表現」することは、作者の思考を他者に向けて「再現」することである。 August 14, 2009, at 12:23 AM
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June 27, 2009, at 11:04 PM
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June 27, 2009, at 10:59 PM
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June 08, 2009, at 05:13 PM
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「表現」することは、作者の思考を他者に向けて「再現」することである。 Changed lines 18-23 from:
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June 08, 2009, at 05:12 PM
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March 27, 2009, at 03:35 PM
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Fix (2009-) March 27, 2009, at 11:11 AM
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March 27, 2009, at 11:10 AM
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どのような手段で作品を空間に固定させるのか。 Changed lines 13-16 from:
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March 27, 2009, at 11:09 AM
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