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WORKS /
WORKS.Fix/Motion HistoryShow minor edits - Show changes to markup February 01, 2011, at 08:01 AM
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(2009年大相撲秋場所-幕下の取組星取表) to:
Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\ Changed lines 13-16 from:
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Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’
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(2009年大相撲秋場所-幕下の取組星取表) Changed lines 35-39 from:
I have been recording a score of Grand SUMO Tournament of MAKUSHITA division. to:
Recording Grand SUMO Tournament (Makushita division) scores, I mark wins with white dots and losses with black dots. I create my own charting system of recorded motions, bouts, and winning techniques. These become fixed within a format arbitrated by my own point of view, creating a landscape of bouts and motions that seem to simultaneously mutate and stay within a fixed realm.\\ Changed lines 37-39 from:
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Fix is a series of works that demonstrate the fundamental need for ‘expressions’ to operate within a coded system that people gain fluency in or comprehension of through repeated exposure to it. Even as these systems might be abstract or intangible, they have proscribed ‘spaces’—framed within virtual domains or sites. These frames support ‘threads’ of thinking, cognition, and analysis. As such, expressions are comprehensible because of elements, referents, or guideposts that are fixed. This series is an attempt to explore various constructions of ‘fixing.’ Changed lines 49-66 from:
Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. to:
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August 03, 2010, at 04:26 PM
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固定/動ー星取表ー (2009-) to:
2009年大相撲秋場所-幕下の取組星取表 (2009-) August 03, 2010, at 02:44 PM
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この作品を出品する展覧会のポスターの裏側に、2009年大相撲秋場所の幕下の取組の星取表を書き込む。 to:
(2009年大相撲秋場所-幕下の取組星取表) Changed lines 12-22 from:
どのような手段で作品を空間に固定させるのか。 to:
April 26, 2010, at 03:56 PM
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搬入日が近づき、15日分すべてを記し終わらずにこの作品は終わる。秋場所中日までの取組内容で止まっている。\\ to:
搬入日が近づき、15日分すべてを記し終わらずにこの制作は終わる。秋場所中日までの取組内容で止まっている。\\ April 26, 2010, at 03:55 PM
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この作品を出品する展覧会のポスターの裏側に、2009年大相撲秋場所の幕下の取組の星取表を書き込む。 November 13, 2009, at 10:46 AM
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http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg to:
http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg Changed lines 53-54 from:
http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg to:
http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg November 13, 2009, at 10:46 AM
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http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg Changed line 53 from:
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http://farm3.static.flickr.com/2512/4079921442_445f3ed49a_b.jpg November 08, 2009, at 03:35 PM
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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. to:
I have been recording a score of Grand SUMO Tournament of MAKUSHITA division. Changed lines 44-50 from:
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\ to:
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The 'expression' that I would like to categorize in this context, is 'disobey'. \\ to:
Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. Changed line 56 from:
As if the 'expression' suggests a virtual domain or a real site, as if the 'expression' wants to be an invisible layer, it needs a frame as an analogy of 'space'. The 'frame' is a thread of thinking, it means the way of recognition, the system of thinking of human beings. \\ to:
In order to make people recognize the 'expression', which is ultimately aimed at people, it takes a long period of time. \\ Added lines 58-61:
The 'expression' that I would like to categorize in this context, is 'disobey'. Changed lines 70-76 from:
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November 06, 2009, at 10:13 PM
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November 06, 2009, at 10:12 PM
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固定/動ー星取表ー (2009-) to:
固定/動ー星取表ー (2009-) November 06, 2009, at 10:12 PM
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November 06, 2009, at 10:12 PM
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'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. Deleted lines 36-39:
'Expression' is fundamentally for passing on a personal message. It is an artificial event in everyday life, against neutral days. In order to make people recognize the 'expression' that needs stability. It is not only physically but also conceptually, otherwise, it would be categorized a natural phenomena. November 02, 2009, at 10:27 PM
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