Yasuko Toyoshima Web Site | WORKS / 色調補正−２

November 13, 2013, at 09:03 PM by Toyoshima Yasuko -

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November 13, 2013, at 09:02 PM by Toyoshima Yasuko -

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 http://www.aptglobal.org/Artist/Show/6494/7395

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February 23, 2011, at 02:13 AM by Toyoshima Yasuko -

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In this series, two pictures make up 1 unit.
A common denominator of the two pieces is the ratio of the length and width (vertical and horizontal), and the identical geometric patterns and colors of the picture under a light source at that moment.
One piece of the two is an oil painting, the other piece was painted with interior furniture paint.\\

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In this series, each diptych is simultaneously comprised of sameness and variability. The diptych pieces differ in size, medium, light condition, and glaze but share the common denominators of length-width ratio as well as identical geometric patterns and colors. One component is painted with oil; the other with interior furniture paint. One is framed under clear glass; the other under glass that has been painted with the same geometric color patterns applied to the painting. The use of different types of paint and different glazes triggers different mechanisms in the visual experience of what might seem like “the same thing.” Intensity, tone, saturation, or purity of color; gloss; and texture become nuanced or modified. By regulating the conditions of production, I device a method of ‘color compensation.’ Such exercise under a fixed light source approximates a presupposed identical image. Applying the colors under the given light source in each instance affects the actual visual properties of each painting. The end results prove my attempts at ‘color compensation’ futile once taken from my studio and viewed in different light conditions. \\

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Each picture is set into a picture frame that has glass covering the painted surface. I used two types of glass, one that was colored glass in which geometrical color patterns were designed, the other with clear glass.

Since different painting mediums are used and as they are seen through different glass, they are visualized by different mechanisms. One of them is seen through colored glass. In this case, the color of the picture and the color of the glass were mixed.

What I am doing in the unit, in between the two pictures including the glass of the picture frame, is 'color compensation' in order to regulate an identical condition visually, only under the light source in the space and moment.

All materials for my approach back up my supposition.
Everything is related to my supposition. I have to acknowledge that 'my approach' is inside my supposition.
I have to experience that my 'color compensation' also follows my supposition.
My supposition makes sense only under the light source at that moment and in that space.
I will see that my effort of 'color compensation' would disappear when I take them outside the room I worked in. However, I need to experience working under limited conditions. I have to find out and experience that there is no space for thinking without suppositions.
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April 26, 2010, at 10:32 AM by Toyoshima Yasuko -

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In this series, two pictures make up 1 unit.
A common denominator of the two pieces is the ratio of the length and width (vertical and horizontal), and the identical geometric patterns and colors of the picture under a light source at that moment.
One piece of the two is an oil painting, the other piece was painted with interior furniture paint.

Each picture is set into a picture frame that has glass covering the painted surface. I used two types of glass, one that was colored glass in which geometrical color patterns were designed, the other with clear glass.

Since different painting mediums are used and as they are seen through different glass, they are visualized by different mechanisms. One of them is seen through colored glass. In this case, the color of the picture and the color of the glass were mixed.

What I am doing in the unit, in between the two pictures including the glass of the picture frame, is 'color compensation' in order to regulate an identical condition visually, only under the light source in the space and moment.

All materials for my approach back up my supposition.
Everything is related to my supposition. I have to acknowledge that 'my approach' is inside my supposition.
I have to experience that my 'color compensation' also follows my supposition.
My supposition makes sense only under the light source at that moment and in that space.
I will see that my effort of 'color compensation' would disappear when I take them outside the room I worked in. However, I need to experience working under limited conditions. I have to find out and experience that there is no space for thinking without suppositions.
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April 21, 2009, at 09:37 PM by Toyoshima Yasuko -

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February 21, 2009, at 03:13 PM by Toyoshima Yasuko -

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February 21, 2009, at 03:13 PM by Toyoshima Yasuko -

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 色調補正−２ Color Compensation−２ (2005-)\\

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色調補正−２ Color Compensation−２ (2005-)

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Color Compensation−２ (2005-)\\

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Color Compensation−２ (2005-)\\

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相似である二枚一組の「絵」。
ーーー比率と色は同じ、しかし倍率が異なる二枚一組の「絵」。
同色のように見えている二枚の片方は、額にセットされた色ガラスによって（混色）調整されている。

色が現れる仕組が異なる、しかし同じ色の絵。二枚を一組とした作品。\\\\

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February 17, 2009, at 05:04 PM by Toyoshima Yasuko -

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 Color Compensation−２ (2005-)\\

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Color Compensation−２ (2005-)\\

February 17, 2009, at 05:03 PM by Toyoshima Yasuko -

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February 17, 2009, at 05:02 PM by Toyoshima Yasuko -

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色調補正−２ Color Compensation−２ (2005-)\\

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January 07, 2009, at 09:26 AM by Toyoshima Yasuko -

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October 31, 2008, at 03:32 PM by Toyoshima Yasuko -

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同色のように見えている二枚の絵は、額縁の色ガラス／透明ガラスによって調整されている。\\

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同色のように見えている二枚の片方は、額にセットされた色ガラスによって（混色）調整されている。\\

October 31, 2008, at 03:30 PM by Toyoshima Yasuko -

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色が現れる仕組がことなる、しかし同じ色の絵。二枚を一組とした作品。\\\\

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色が現れる仕組が異なる、しかし同じ色の絵。二枚を一組とした作品。\\\\

April 27, 2008, at 05:48 PM by Toyoshima Yasuko -

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同色のように見えている二枚の絵は、額縁の色ガラス／透明ガラスによって調整されている。

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同色のように見えている二枚の絵は、額縁の色ガラス／透明ガラスによって調整されている。
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April 27, 2008, at 05:48 PM by Toyoshima Yasuko -

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相似である二枚一組の「絵」ーーー倍率はそれぞれ違うが比率は同一の同色の組み合わせにみえる二枚一組の「絵」。
見える色は同じ二枚だが、その色が現れる仕組みが違う二枚の絵を１セットにした作品。\\\\

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相似である二枚一組の「絵」。
ーーー比率と色は同じ、しかし倍率が異なる二枚一組の「絵」。
同色のように見えている二枚の絵は、額縁の色ガラス／透明ガラスによって調整されている。色が現れる仕組がことなる、しかし同じ色の絵。二枚を一組とした作品。\\\\

April 26, 2008, at 05:59 PM by Toyoshima Yasuko -

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December 25, 2007, at 09:35 PM by Toyoshima Yasuko -

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相似である二枚一組の「絵」ーーー倍率は違うが比率は同一の同色の組み合わせにみえる二枚一組の「絵」。\\

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相似である二枚一組の「絵」ーーー倍率はそれぞれ違うが比率は同一の同色の組み合わせにみえる二枚一組の「絵」。\\

December 25, 2007, at 09:34 PM by Toyoshima Yasuko -

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倍率は違うが比率は同一の同色の組み合わせにみえる二枚の絵。

その色は同じだが、その色の発生方法の仕組みが違う二枚の絵を１セットに。\\\\

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相似である二枚一組の「絵」ーーー倍率は違うが比率は同一の同色の組み合わせにみえる二枚一組の「絵」。
見える色は同じ二枚だが、その色が現れる仕組みが違う二枚の絵を１セットにした作品。\\\\

December 21, 2007, at 04:13 PM by Toyoshima Yasuko -

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倍率は違うが比率は同一の同色の組み合わせにみえる二枚の絵。

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倍率は違うが比率は同一の同色の組み合わせにみえる二枚の絵。\\\\

December 21, 2007, at 04:12 PM by Toyoshima Yasuko -

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倍率は違うが比率は同一の同色の組み合わせにみえる二枚の絵。その色は同じだが、その色の発生方法の仕組みが違う二枚の絵を１セットに。\\\\

March 17, 2007, at 04:54 PM by Toyoshima Yasuko -

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色調補正−２ Color Compensation−２ (2005-)

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色調補正−２ Color Compensation−２ (2005-)
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November 21, 2006, at 06:16 PM by Toyoshima Yasuko -

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November 21, 2006, at 06:16 PM by Toyoshima Yasuko -

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November 21, 2006, at 06:16 PM by Toyoshima Yasuko -

November 21, 2006, at 06:15 PM by Toyoshima Yasuko -

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(Attach::thickbox Δ 02_color00.jpg 300:)\\

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November 21, 2006, at 06:12 PM by Toyoshima Yasuko -

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(Attach::thickbox Δ 02_color00.jpg 300:)\\

November 21, 2006, at 06:11 PM by Toyoshima Yasuko -

November 21, 2006, at 06:10 PM by Toyoshima Yasuko -

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November 21, 2006, at 06:07 PM by Toyoshima Yasuko -

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WORKS.色調補正−２ History