- 固定／分割_2020
- 地動説_2020
- レーダーチャート1,2,3
- 円グラフ１，２，３，
- 帯グラフ1,2,3,4
- 棒グラフ２
- 棒グラフ1
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- パタパタ_2019_麻
- 長方形群
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- 正方形余白蟹
- 正方形余白湯気
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- Openable names
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- ズレ三層一目盛
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- 天地左右裏表
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- 2個の中心と10本の線
- 23個の中心点
- Margin
- 四角形
- 無地
- 色調補正ー4
- Openable_S
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- パネル_色名
- ある順番に並べる
- 前例
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- テンプレート 2013
- 隠蔽工作
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- 固定／価格表
- '09年大相撲秋場所-幕下取組星取表
- 固定／分割
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- 輪郭・3
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- 輪郭・1 read me
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WORKS /
WORKS.前例 History
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April 10, 2018, at 09:46 PM
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%komi%[+前例 (2015)+]
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* 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
(:thickbox sensouga01.jpg 650:)
* 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
Changed line 19 from:
%center%Copyright © 2018 TOYOSHIMA Yasuko. All rights reserved.\\
to:
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
Changed lines 25-34 from:
%komi%[+Place in a Certain Order (2016)+]
(:thickbox arujun01.jpeg 650:)\\
(:thickbox arujun01.jpeg 650:)\\
to:
%komi%[+Precedent (2015-)+]
(:thickbox sensouga01.jpg 650:)
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
%right% [-(Translation: TSUKAMOTO Yasuko)-]
(:thickbox sensouga01.jpg 650:)
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
%right% [-(Translation: TSUKAMOTO Yasuko)-]
Changed line 41 from:
%center%Copyright © 2018TOYOSHIMA Yasuko. All rights reserved.\\
to:
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
April 10, 2018, at 12:43 PM
by -
Changed lines 5-16 from:
%komi%[+前例 (2015)+]
(:thickbox sensouga01.jpg 650:)
* 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
(:thickbox sensouga01.jpg 650:)
* 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
to:
%komi%[+ある順番に並べる (2016)+]
\\
\\
(:thickbox arujun01.jpg 650:)\\
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\\
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%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
to:
%center%Copyright © 2018 TOYOSHIMA Yasuko. All rights reserved.\\
Changed lines 21-34 from:
%komi%[+Precedent (2015-)+]
(:thickbox sensouga01.jpg 650:)
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
%right% [-(Translation: TSUKAMOTO Yasuko)-]
(:thickbox sensouga01.jpg 650:)
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
%right% [-(Translation: TSUKAMOTO Yasuko)-]
to:
%komi%[+Place in a Certain Order (2016)+]
(:thickbox arujun01.jpeg 650:)\\
(:thickbox arujun01.jpeg 650:)\\
Changed line 33 from:
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
to:
%center%Copyright © 2018TOYOSHIMA Yasuko. All rights reserved.\\
April 08, 2017, at 05:01 PM
by -
Changed lines 10-18 from:
:前例
->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
->2) 背景の地図は、かつての「大東亜共栄圏」のエリアである。
->3) 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
->4) 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
->5) この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
->6) これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
to:
* 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
* 背景の地図は、かつての「大東亜共栄圏」のエリアである。
* 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
* 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
* この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
* これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
Changed lines 29-44 from:
:Precedent
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.\\
\\
Title：Precedent\\
Year of creation：2013, 2015\\
Materials：Japanese paper made in Ogawamachi, Sumi-ink \\
Size : 295.3x209.4x3 cm ( The size is variable by presentation)\\
\\
[-(Translation: TSUKAMOTO Yasuko)-]
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.\\
\\
Title：Precedent\\
Year of creation：2013, 2015\\
Materials：Japanese paper made in Ogawamachi, Sumi-ink \\
Size : 295.3x209.4x3 cm ( The size is variable by presentation)\\
\\
[-(Translation: TSUKAMOTO Yasuko)-]
to:
* I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
* The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
* In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
* Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
* With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
* Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
%right% [-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 04:03 PM
by -
Changed line 12 from:
1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
to:
->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
April 08, 2017, at 04:02 PM
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: 前例 :
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:前例
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：Precedent ：
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:Precedent
April 08, 2017, at 04:02 PM
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: 前例
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: 前例 :
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：Precedent
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：Precedent ：
April 08, 2017, at 04:01 PM
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April 08, 2017, at 04:00 PM
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: 1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
to:
: 前例
1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
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：Precedent
April 08, 2017, at 03:59 PM
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->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
to:
: 1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
April 08, 2017, at 03:59 PM
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%right% (Translation: TSUKAMOTO Yasuko)
to:
[-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 03:57 PM
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%right% (Translation: TSUKAMOTO Yasuko)\\
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%right% (Translation: TSUKAMOTO Yasuko)
April 08, 2017, at 03:57 PM
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%right% [-(Translation: TSUKAMOTO Yasuko)-] \\
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%right% (Translation: TSUKAMOTO Yasuko)\\
April 08, 2017, at 03:56 PM
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[-(Translation: TSUKAMOTO Yasuko)-] \\
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%right% [-(Translation: TSUKAMOTO Yasuko)-] \\
April 08, 2017, at 03:49 PM
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6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
[-(Translation: TSUKAMOTO Yasuko)-] \\
[-(Translation: TSUKAMOTO Yasuko)-] \\
to:
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.\\
Added line 45:
[-(Translation: TSUKAMOTO Yasuko)-] \\
April 08, 2017, at 03:48 PM
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\\
Title：Precedent\\
Year of creation：2013, 2015\\
Materials：Japanese paper made in Ogawamachi, Sumi-ink \\
Size : 295.3x209.4x3 cm ( The size is variable by presentation)\\
\\
Title：Precedent\\
Year of creation：2013, 2015\\
Materials：Japanese paper made in Ogawamachi, Sumi-ink \\
Size : 295.3x209.4x3 cm ( The size is variable by presentation)\\
\\
April 08, 2017, at 03:11 PM
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%komi%[+前例(2015)+]
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%komi%[+前例 (2015)+]
April 08, 2017, at 01:48 AM
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(:thickbox sensouga01.jpg 450:) '_ '-photo by BARBARA DARLINg-'_'
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(:thickbox sensouga01.jpg 650:)
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(:thickbox sensouga01.jpg 450:) '_ '-photo by BARBARA DARLINg-'_'
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(:thickbox sensouga01.jpg 650:)
April 08, 2017, at 01:44 AM
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Changed lines 31-36 from:
->1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
->2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
->3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
->4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
->5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
->6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
->2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
->3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
->4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
->5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
->6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
to:
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
April 08, 2017, at 01:43 AM
by -
Changed lines 31-39 from:
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
[-(Translation: TSUKAMOTO Yasuko)-]
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
[-(Translation: TSUKAMOTO Yasuko)-]
to:
->1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)\\
->2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
->3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
->4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
->5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
->6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
[-(Translation: TSUKAMOTO Yasuko)-] \\
->2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."\\
->3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.\\
->4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.\\
->5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.\\
->6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
[-(Translation: TSUKAMOTO Yasuko)-] \\
April 08, 2017, at 01:42 AM
by -
Deleted line 31:
Deleted line 32:
Deleted line 33:
Deleted lines 34-35:
Deleted lines 35-36:
Changed lines 37-39 from:
6)-2 Granted reversibility using starch paste so that these pieces of paper can be torn away and reattached. [-(Translation: TSUKAMOTO Yasuko)-]
to:
[-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 01:41 AM
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Changed lines 29-31 from:
(:thickbox sensouga01.jpg 450:)\\
(:thickbox sensouga02.jpg 450:) '-photo by BARBARA DARLINg-'
(:thickbox sensouga02.jpg 450:) '-photo by BARBARA DARLINg-'
to:
(:thickbox sensouga01.jpg 450:) '_ '-photo by BARBARA DARLINg-'_'
Changed lines 44-48 from:
6)-2 Granted reversibility using starch paste so that these pieces of paper can be torn away and reattached.
[-(Translation: TSUKAMOTO Yasuko)-]
[-(Translation: TSUKAMOTO Yasuko)-]
to:
6)-2 Granted reversibility using starch paste so that these pieces of paper can be torn away and reattached. [-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 01:39 AM
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(:thickbox sensouga01.jpg 450:)\\ '_ '-photo by BARBARA DARLINg-'_'
to:
(:thickbox sensouga01.jpg 450:) '_ '-photo by BARBARA DARLINg-'_'
Changed lines 30-31 from:
(:thickbox sensouga02.jpg 450:)\\ '-photo by BARBARA DARLINg-'
to:
(:thickbox sensouga02.jpg 450:) '-photo by BARBARA DARLINg-'
April 08, 2017, at 01:39 AM
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Changed lines 8-10 from:
(:thickbox sensouga01.jpg 450:)\\ '_ '-photo by BARBARA DARLINg-'_'
to:
(:thickbox sensouga01.jpg 450:)\\ '_ '-photo by BARBARA DARLINg-'_'
Changed lines 30-32 from:
(:thickbox sensouga02.jpg 450:)\\
'-photo by BARBARA DARLINg-'
'-photo by BARBARA DARLINg-'
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(:thickbox sensouga02.jpg 450:)\\ '-photo by BARBARA DARLINg-'
April 08, 2017, at 01:38 AM
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(:thickbox sensouga01.jpg 450:)\\
(:thickbox sensouga02.jpg 450:)\\
'_ '-photo by BARBARA DARLINg-'_'
(:thickbox sensouga02.jpg 450:)\\
'_ '-photo by BARBARA DARLINg-'_'
to:
(:thickbox sensouga01.jpg 450:)\\ '_ '-photo by BARBARA DARLINg-'_'
April 08, 2017, at 01:37 AM
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Changed lines 10-12 from:
>>gray<< '_ '-photo by BARBARA DARLINg-'_'
>>gray<<
>>gray<<
to:
'_ '-photo by BARBARA DARLINg-'_'
Changed lines 33-34 from:
>>gray<< '-photo by BARBARA DARLINg-'
to:
'-photo by BARBARA DARLINg-'
April 08, 2017, at 01:36 AM
by -
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>>gray<<
'-photo by BARBARA DARLINg-'
to:
>>gray<< '-photo by BARBARA DARLINg-'
April 08, 2017, at 01:36 AM
by -
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'_ '-photo by BARBARA DARLINg-'_'
to:
>>gray<< '_ '-photo by BARBARA DARLINg-'_'
April 08, 2017, at 01:35 AM
by -
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'_ '-photo by BARBARA DARLINg-'_'
to:
'_ '-photo by BARBARA DARLINg-'_'
April 08, 2017, at 01:34 AM
by -
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'_-----> '-photo by BARBARA DARLINg-'_'
to:
'_ '-photo by BARBARA DARLINg-'_'
Changed lines 36-37 from:
--------------> '-photo by BARBARA DARLINg-'
to:
'-photo by BARBARA DARLINg-'
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--------> [-(Translation: TSUKAMOTO Yasuko)-]
to:
[-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 01:33 AM
by -
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-----> '-photo by BARBARA DARLINg-'
to:
'_-----> '-photo by BARBARA DARLINg-'_'
April 08, 2017, at 01:32 AM
by -
Changed lines 10-11 from:
--------------> '-photo by BARBARA DARLINg-'
to:
-----> '-photo by BARBARA DARLINg-'
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---------------> [-(Translation: TSUKAMOTO Yasuko)-]
to:
--------> [-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 01:31 AM
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(:thickbox sensouga01.jpg 450:)\\
to:
(:thickbox sensouga01.jpg 450:)\\
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to:
--------------> '-photo by BARBARA DARLINg-'
Changed line 31 from:
(:thickbox sensouga01.jpg 450:)\\
to:
(:thickbox sensouga01.jpg 450:)\\
April 08, 2017, at 01:30 AM
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Changed lines 8-10 from:
(:thickbox IMG_4675.jpg 450:)\\
to:
(:thickbox sensouga01.jpg 450:)\\
(:thickbox sensouga02.jpg 450:)\\
(:thickbox sensouga02.jpg 450:)\\
Changed lines 30-32 from:
(:thickbox IMG_4675.jpg 650:)\\
to:
(:thickbox sensouga01.jpg 450:)\\
(:thickbox sensouga02.jpg 450:)\\
(:thickbox sensouga02.jpg 450:)\\
April 08, 2017, at 01:29 AM
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->->->->(Translation: TSUKAMOTO Yasuko)
to:
---------------> [-(Translation: TSUKAMOTO Yasuko)-]
April 08, 2017, at 01:26 AM
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(:thickbox IMG_4675.jpg 650:)\\
to:
(:thickbox IMG_4675.jpg 450:)\\
April 08, 2017, at 01:25 AM
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(:thickbox sensouga01.jpg 450:)\\
to:
(:thickbox IMG_4675.jpg 650:)\\
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---------------> '-photo by BARBARA DARLINg -'
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(:thickbox sensouga01.jpg 450:)\\
to:
(:thickbox IMG_4675.jpg 650:)\\
April 08, 2017, at 01:24 AM
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(:thickbox sensouga01.jpg 750:)\\
to:
(:thickbox sensouga01.jpg 450:)\\
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(:thickbox sensouga01.jpg 750:)\\
to:
(:thickbox sensouga01.jpg 450:)\\
April 08, 2017, at 01:19 AM
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Changed lines 8-11 from:
(:thickbox panjpg 750:)\\
(:thickbox pan3.jpg 750:)\\
(:thickbox pan2.jpg 750:)\\
(:thickbox pan3.jpg 750:)\\
(:thickbox pan2.jpg 750:)\\
to:
(:thickbox sensouga01.jpg 750:)\\
Changed lines 31-34 from:
(:thickbox p750:)\\
(:thickbox 750:)\\
(:thickbox p50:)\\
(:thickbox 750:)\\
(:thickbox p50:)\\
to:
(:thickbox sensouga01.jpg 750:)\\
Changed lines 52-54 from:
(Translation: TSUKAMOTO Yasuko)
to:
->->->->(Translation: TSUKAMOTO Yasuko)
April 08, 2017, at 01:07 AM
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Added lines 1-62:
(:include Main.master:)
(:if userlang ja:)
%komi%[+前例(2015)+]
(:thickbox panjpg 750:)\\
(:thickbox pan3.jpg 750:)\\
(:thickbox pan2.jpg 750:)\\
>>gray<<
---------------> '-photo by BARBARA DARLINg -'
->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
->2) 背景の地図は、かつての「大東亜共栄圏」のエリアである。
->3) 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
->4) 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
->5) この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
->6) これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
[[<<]]
----------------------------------------------------
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
(:ifend:)
(:if userlang en:)
%komi%[+Precedent (2015-)+]
(:thickbox p750:)\\
(:thickbox 750:)\\
(:thickbox p50:)\\
>>gray<<
--------------> '-photo by BARBARA DARLINg-'
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
6)-2 Granted reversibility using starch paste so that these pieces of paper can be torn away and reattached.
(Translation: TSUKAMOTO Yasuko)
[[<<]]
----------------------------------------------------
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
(:ifend:)
(:if userlang ja:)
%komi%[+前例(2015)+]
(:thickbox panjpg 750:)\\
(:thickbox pan3.jpg 750:)\\
(:thickbox pan2.jpg 750:)\\
>>gray<<
---------------> '-photo by BARBARA DARLINg -'
->1) 20世紀になってから敗戦までの期間の日本の画家達の、欧米以外の渡航先と渡航理由を書いた。
->2) 背景の地図は、かつての「大東亜共栄圏」のエリアである。
->3) 当時、戦時体制に翼賛的な作品を制作した人物も、まったくそうでない人物も、画家としてではなく兵士として召集された人も、その時代、その空間に存在し、美術における表現活動をしてたという狭義の条件で集めた。
->4) 私の地元、小川町の和紙は戦時中に風船爆弾の素材として秘密裡に製造方法が研究され、実験段階の時から使われていた。
->5) この和紙に、名前と地名と渡航理由を手紙の宛名を書くような心境で毛筆で記した。
->6) これらの紙片を後から引き剥したり貼り換えたりできるようにでんぷん糊で貼付けて可逆性を与えた。
[[<<]]
----------------------------------------------------
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
(:ifend:)
(:if userlang en:)
%komi%[+Precedent (2015-)+]
(:thickbox p750:)\\
(:thickbox 750:)\\
(:thickbox p50:)\\
>>gray<<
--------------> '-photo by BARBARA DARLINg-'
1) I wrote down that the destinations and the reasons of Japanese artists who were sent abroad except Europe and the US from the beginning of the 20th century until the loss of the World War II. (A few of them traveled by theirselves at that time without the order.)
2) The map of the background is the area of the former "Dai Toa Kyoeiken : Great East Asia Co-prosperity Sphere."
3) In a narrow sense, I assembled that people existed at one time, in the same space, and who did expressive acts of art at that time. There were artists, even those who produced war-praised works according to the wartime regime, those who created works unrelated to war at all, and artists who were called up simply as soldiers.
4) Washi (Japanese paper ) made in my local, Ogawamachi, was secretly studied as a material of the balloon bomb during the wartime and had been used from the experimental stage.
5) With a feeling like writing the letter address on the envelope, I drew the name of person, the name of place, and the reason of traveling, on this washi paper with a writing brush and sumi-ink.
6) Using starch paste gives reversibility, you can peel off those paper pieces and reattach them later.
6)-2 Granted reversibility using starch paste so that these pieces of paper can be torn away and reattached.
(Translation: TSUKAMOTO Yasuko)
[[<<]]
----------------------------------------------------
%center%Copyright © 2016 TOYOSHIMA Yasuko. All rights reserved.\\
%center%無断転載を禁止します。\\
(:if auth edit:)
(:ifend:)